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---
description: From Paddington 2 to A Quiet Place, TIME&#x27;s picks for the most thought-provoking, entertaining and innovative movies released in 2018 so far.
title: The Best Movies of 2018 So Far
image: https://static.time.com/v3/assets/bltea6093859af6183b/blt7f77acb9736457e8/69893144fb4eac9736896b04/best-movies-so-far-2018.jpg?branch=production&amp;width=3840&amp;quality=75&amp;auto=webp&amp;crop=16:9
---

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# Best Movies of 2018 So Far

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Berman is a senior editor at TIME.

Jun 4, 2018 4:23 PM CUT

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Universal Pictures; Warner Bros.; Marvel; Paramount Pictures

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## Eliza Berman


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Jun 4, 2018 4:23 PM CUT

In the first half of 2018, compelling stories have played out not just [on the big screen](http://time.com/5133882/black-panther-review/ "undefined"), but also in the real world of Hollywood, as the entertainment industry has navigated a [newly upset balance of power. ](http://time.com/5180705/hollywood-suddenly-serious-thats-what-america-needs-right-now/ "undefined")Meanwhile, the movies themselves are received in a world that was difficult to imagine when the films were conceived years ago — whether that means audiences are starved for the lightness of a hapless CGI bear or emboldened by all-female sci-fi narratives.

The [rest of the year](http://time.com/5263472/new-summer-movies-2018/ "undefined") leaves much to look forward to: Spike Lee’s Cannes sensation [_BlacKkKlansman_](http://time.com/5277624/blackkklansman-review-spike-lee-cannes/ "undefined"); Damien Chazelle’s _La La Land_ follow-up, the Neil Armstrong drama _First_ _Man_; Emily Blunt’s update on Mary Poppins. But as we await those films’ arrival, let’s celebrate the great movies 2018 has already supplied, and give due to some that flew unjustly under the radar.

### _Paddington 2_

![Paddington in Paddington 2](https://static.time.com/v3/assets/bltea6093859af6183b/bltf95ba9c678d432bb/698931c5db2987fc6125fcb3/best-movies-so-far-2018-paddington.jpg?branch=production&width=3840&quality=75&auto=webp)

Warner Bros. Pictures

A sequel starring a pantsless bear — though now that we mention it, it’s perhaps stranger that he _wears_ a coat than that he _doesn_ _‘t_ wear pants — may be an unexpected choice for this list. But Paul King’s follow-up to his 2014 adaptation of Michael Bond’s beloved children’s stories is pure and good without being pedantic, a family movie you can enjoy even if your family consists only of your adult self. Its cuddly ursine protagonist (innocently voiced by Ben Whishaw) goes down like a warm cup of tea on a blustery day.

### _Annihilation_

![null](https://static.time.com/v3/assets/bltea6093859af6183b/blt8954d06548f16811/6988f619096a94572c6a0e1a/annihilation-paramount.jpg?branch=production&width=3840&quality=75&auto=webp)

Natalie Portman and Tessa Thompson in Annihilation. Paramount Pictures

Alex Garland’s sci-fi stunner will leave viewers feeling alternately creeped out, jump-scared and thinking to themselves, _Did he really go there? Oh, he really went there_. But what lasts long after the credits roll is the movie’s quiet beauty, the iridescent sheen of an oil slick that enshrouds the narrative and the moments of near silence preceding terrifying noise. As an added bonus, it’s a movie about five female scientists — a rare specimen — that never pats itself on the back for being a movie about five female scientists.


### _Thoroughbreds_

![Anya Taylor-Joy stars as Lily and Olivia Cooke as Amanda and in THOROUGHBREDS](https://static.time.com/v3/assets/bltea6093859af6183b/blte4a93c4dbeeeb720/698931c7e76ad21fd4632224/best-movies-so-far-2018-thoroughbreds.jpg?branch=production&width=3840&quality=75&auto=webp)

Thoroughbreds\_0938\_R Anya Taylor-Joy stars as Lily and Olivia Cooke as Amanda and in THOROUGHBREDS, a Focus Features release. Credit: Claire Folger / Focus Features Focus Features

Writer-director Cory Finley’s directorial debut stars Anya Taylor-Joy (_The Witch_) and Olivia Cooke (_Ready Player One_) as rich girls who channel their privileged ennui into violence. Cooke is deliciously nonchalant in her sociopathic callousness while Taylor-Joy sells the repression of a young woman who looks like her French twist and perfect Peter Pan collar are conspiring to strangle her. It’s bleak and original — the whoosh of a rowing machine has never sounded so terrifying — and puts Finley on the map as a filmmaker to watch.


### _Black Panther_

![Film Box Office](https://static.time.com/v3/assets/bltea6093859af6183b/blt9772ee1053b48d4e/69892cfbfb4eac061389643c/ap18077490446715.jpg?branch=production&width=3840&quality=75&auto=webp)

Chadwick Boseman in "Black Panther." Marvel Studios/Disney—AP

It is easy to praise _Black Panther_ for everything its mere existence _means_: It’s the first standalone black superhero movie; a [mega box office success](http://www.boxofficemojo.com/movies/?id=marvel2017b.htm "undefined") written and directed by and starring and about black people; and a landmark in cinematic representation the impact of which is difficult to adequately measure. But independent of all the conversation swirling around it, Ryan Coogler’s installment in the [Marvel Cinematic Universe](http://time.com/5167535/upcoming-marvel-movies/ "undefined") is also, on its face, a tremendously accomplished movie — from its vibrant [costumes](http://time.com/5163612/black-panther-costume-designer/ "undefined") to its adept treatment of complex themes around diaspora and global responsibility.


**MORE:** [The Revolutionary Power of _Black Panther_](http://time.com/black-panther/ "undefined")

### _Blockers_

![IKE BARINHOLTZ, LESLIE MANN and JOHN CENA in Blockers](https://static.time.com/v3/assets/bltea6093859af6183b/blt1e1681533bda5775/698931c5db2987a89025fcaf/best-movies-so-far-2018-cockblockers.jpg?branch=production&width=3840&quality=75&auto=webp)

(L to R) IKE BARINHOLTZ, LESLIE MANN and JOHN CENA star in "Blockers," the directorial debut of Kay Cannon (writer of the "Pitch Perfect" series). When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal. Universal

If you watch the trailer and come away thinking that the apex of _Blockers_‘ humor is John Cena butt-chugging a beer, you may decide it’s not for you. But don’t judge a movie by its trailer’s most gratuitous potty humor: _Blockers_ is the rare comedy that makes a point (that young women are subjects, not objects, when it comes to sexual desire) while earning genuine laughs. And amid all the raunch, director Kay Cannon manages to sneak in an unexpectedly sweet story about parents learning to let go of their not-quite grown-up children.


**MORE:** [_Blockers_ Sets the Record Straight on Teenage Girls and Sex](http://time.com/5228618/blockers-movie-kay-cannon/ "undefined")

### _A Quiet Place_

![Emily Blunt and John Krasinski in 'A Quiet Place' from Paramount Pictures.](https://static.time.com/v3/assets/bltea6093859af6183b/bltf3246ead153ed578/69892cdf22fb850759e253ff/a-quiet-place-blunt-krasinski.jpg?branch=production&width=3840&quality=75&auto=webp)

Emily Blunt and John Krasinski in 'A Quiet Place' Paramount Pictures

With his third feature, [John Krasinski](http://time.com/collection/most-influential-people-2018/5238188/john-krasinski/ "undefined") has proven himself a capable and sensitive director. _A Quiet Place_ may be billed as a horror film, but the monsters here are secondary to the tenderness with which the family drama plays out — and it’s one that’s easy to buy given the effortless chemistry between Krasinski and his co-star, real-life partner [Emily Blunt](http://time.com/5228564/john-krasinski-emily-blunt-a-quiet-place/ "undefined"). The monsters are scary, sure, but not as terrifying as the reality that parents can only protect their children from so much.


**MORE:** [_A Quiet Place_ Is One of the Most Terrifyingly Effective Horror Movies in Years](http://time.com/5228984/a-quiet-place-one-of-the-most-terrifyingly-effective-horror-movies-in-years/ "undefined")

### _You Were Never Really Here_

![never really here, yet](https://static.time.com/v3/assets/bltea6093859af6183b/bltf9c095d8fd3cbda7/69892d79929fad308dbf03f5/you-were-never-really-here-phoenix-joaqin-ramsay.jpg?branch=production&width=3840&quality=75&auto=webp)

Phoenix and Samsonov: never really here, yet totally present Amazon Studios

Joaquin Phoenix barely speaks in Scottish writer-director Lynne Ramsay’s unnerving thriller, but this actor doesn’t need words to communicate reservoirs of pain and — despite his ease with violence — vulnerability. Phoenix won a best actor award at Cannes last year for his portrayal of a veteran whose mission to rescue the missing daughter of a politician goes savagely awry, and Ramsay took one home for her screenplay, which leaves the most brutal violence offscreen but thoughtfully appraises its consequences. This is not a pleasurable watch, but it’s a worthwhile one.


**MORE:** [_You Were Never Really Here_ Is a Skillfully Crafted Thriller](http://time.com/5237440/you-were-never-really-here-is-a-skillfully-crafted-thriller/ "undefined")

### _The Rider_

![The Rider](https://static.time.com/v3/assets/bltea6093859af6183b/blt890b78d84df6c1bb/698931c6ab6d772b406b2d19/best-movies-so-far-2018-the-rider.jpg?branch=production&width=3840&quality=75&auto=webp)

Sony Pictures Classics

Director Chloé Zhao has approached her first two films in an unconventional way, and it’s paying off. _The Rider_, her second movie, like 2015’s _Songs My Brothers Taught Me_, was filmed on the Pine Ridge Reservation in South Dakota and stars a cast of non-professional actors. In it, Brady Jandreau plays a stoic Lakota cowboy whose passion for the rodeo is interrupted, abruptly and perhaps permanently, by a near-fatal accident — much like the one that befell Jandreau in real life, in 2016\. The result is an achingly realistic portrait of a family and a community, whose hardships Zhao neither condescends to nor minimizes.


### _Disobedience_

![Rachel Weisz, Rachel McAdams and Alessandro Nivola in 'Disobedience'](https://static.time.com/v3/assets/bltea6093859af6183b/blt5bbe09aab1299fba/69892ffb656a3fede7bd4612/disobedience-weisz-mcadams-nivola.jpg?branch=production&width=3840&quality=75&auto=webp)

Rachel Weisz, Rachel McAdams and Alessandro Nivola in 'Disobedience' Bleecker Street

When watching a story about forbidden love, it’s easy to root for the lovers’ union at all costs. _Disobedience_, from Sebastián Lelio, the director of the Oscar-winning Chilean drama [_A Fantastic Woman_](http://time.com/5176136/oscars-2018-a-fantastic-woman-daniela-vega-sebastian-lelio/ "undefined"), examines those costs with such nuance that the notion of forgoing love — because those costs are too great — is equally as compelling as that of love triumphing over all. As lovers whose romance defies the strict rules of their religious community, Rachel Weisz and Rachel McAdams draw viewers into this painful negotiation.


**MORE:** [_Disobedience_ Is More Than a Forbidden-Love Story](http://time.com/5272348/disobedience-movie-review/ "undefined")

### _Tully_

![Mackenzie Davis as Tully and Charlize Theron as Marlo star in Jason Reitman's TULLY](https://static.time.com/v3/assets/bltea6093859af6183b/blt05253e9d0057127f/698931c797cdff54536b55f5/best-movies-so-far-2018-tully.jpg?branch=production&width=3840&quality=75&auto=webp)

(l to r.) Mackenzie Davis as Tully and Charlize Theron as Marlo star in Jason Reitman's TULLY, a Focus Features release. Focus Features

Director Jason Reitman and screenwriter Diablo Cody have joined forces twice before, on 2007’s _Juno_ and 2009’s _Young Adult_. Their third collaboration reunites them with _Young Adult_ star Charlize Theron, here playing a hopelessly tapped-out mom of three whose night nanny (a whimsically appealing [Mackenzie Davis](http://time.com/4568555/mackenzie-davis-always-shine-interview/ "undefined")) takes care of more than just the baby. While the unexpected conclusion requires a leap on the audience’s behalf, the film is refreshingly — and often painfully — honest about the ways in which modern motherhood makes some women feel disconcertingly far from their one-time dreams.


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