t has been called the best adaptation of a great play ever made, and we're not going to dispute that judgment. Marlon Brando, repeating his stage performance as Stanley Kowalksi—half child, half animal, all menacing masculinity—is simply great. And so is Vivien Leigh, as his flirtatious, half-mad sister-in-law who teases him toward the brutal rape that destroys her. Tennessee Williams saw them symbolizing the contest between genteel civility and crude lower-class vitality. We are simply harrowed by the drama he unleashed—R.S.