orget the phenomenon—it changed forever the way movies are marketed. Forget the endlessly hyped sequels. Try to recall the rushing joy in your heart when Harrison Ford first threw the Millennium Falcon into hyperspace. Remember the innocence (and technological inventiveness) of the film, the fun of the dialogue, the astonishment of the creatures we encountered, the propulsive dash of the editing. One suspects that the peppy force of the thing will always be with us, preventing our surrender to the Force's Dark Side.—R.S.