Return to index Talkback E-mail this to a friend
 
From the TIME Archive
Archive Collection:
Oscar Greats

TIME Magazine:
Best of the Archive

Browse:
Movies Covers

 
GREAT PERFORMANCES
Movie Magic
Great roles and the performers who brought them to life
GUILTY PLEASURES
Lowbrow, High Praise
Even critics have their secret favorites. Take a look at ours

Richard Corliss' picks
Richard Schickel's picks

TOP SHORT FILMS
Selected Short Subjects
Ten small movies with grand achievements

BEST SOUNDTRACKS
Top Scores
Music that makes these movies
TALKBACK
Your thoughts on our list:

The one movie I feel should have definitely made the list (of top 3 movies, let alone 100), is Seven Samurai. Maybe this was an oversight because you didn't want more than two Kurosawa films on the list? If this was the case, I feel Seven Samurai is a better movie than Yojimbo.
—John Ferrigno

Here are three of my top ten list that didn't make it: Lacombe, Lucien, Hard Times and Samurai Trilogy.
—Rick Ackerman

Send us your thoughts >>
AUDIO FROM AUDIBLE.COM
Charlie Rose
gets in depth with TIME'S film critics on the ALL-TIME 100 Movies list.
Download it now on
Audible.com

Listen to Corliss & Schickel talk about the list
ALL-TIME 100 BEST NOVELS

100 Best Novels
TIME's Richard Lacayo and Lev Grossman select the best novels since 1923

50 Coolest Websites »
Best and Worst of 2004 »

The Good, The Bad and The Ugly (1966)

Directed By: Sergio Leone
Screenplay: Luciano Vincenzoni, Sergio Leone
Cast: Clint Eastwood, Lee Van Cleef, Eli Wallach

Previous Next: Goodfellas
EVERETT COLLECTION
 
eone's reinvention of the western reaches its epic apotheosis in a movie about the pursuit of gold lost by the Confederates during the Civil War in the Texas theater. Clint Eastwood is the "good" (slow to anger, but quick on the trigger), Lee Van Cleef is the bad (an elegant exemplar of absolute evil) and Eli Wallach is the "ugly" (a menacingly funny, totally amoral bandido whose relationship with the Eastwood character consists largely of betrayals). Leone's magnificent style is all contrasts (huge panoramic shots alternating with tight close-ups, very slow build-ups to lightning-fast action). This perfectly matches a narrative that encompasses sadistic brutality, wild humor and, yes, a tragic vision of war and its consequences.—R.S.

From the TIME Archive:
Ugly is Leone's insatiable appetite for beatings, disembowelings and mutilations, complete with closeups of mashed-in faces and death-rattle sound effects
TIME Magazine, Feb. 9, 1968 >>

Not a subscriber?
Get 6 Issues of TIME for $1.99 >>

Rate This Movie



Next: Goodfellas

READER'S TOP FLICKS
1:  Goodfellas
2:  Farewell My Concubine
3:  Taxi Driver
4:  Bande à part
5:  City of God

    See the full list >>






Copyright © 2005 Time Inc. All rights reserved.
Reproduction in whole or in part without permission is prohibited.

Subscribe | Customer Service | Help | Site Map | Search | Contact Us
Privacy Policy | Terms of Use | Reprints & Permissions | Press Releases | Media Kit