The Schickel Cuts

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Here are Schickel's films that didn't make the cut:

1920s
The Thief of Bagdad (1924, Raoul Walsh, U.S.)
Battleship Potemkin (1925, S.M. Eisenstein, U.S.S.R.)
The Circus (1928, Charles Chaplin. U.S.)
Show People (1928, King Vidor, U.S.)

1930s
All Quiet on the Western Front (1930, Lewis Milestone, U.S.)
Love Me Tonight (1932, Rouben Mamoulian, U.S.)
Scarface (1932, Howard Hawks, U.S.)
Shanghai Express (1932, Josef von Sternberg, U.S.)
Trouble in Paradise (1932, Ernst Lubitsch, U.S.)
42nd St. (1933, Lloyd Bacon, U.S.)
It Happened One Night (1934, Frank Capra, U.S.)
David Copperfield (1935, George Cukor, U.S.)
Grand Illusion (1937, Jean Renoir, France)
Bringing Up Baby (1938, Howard Hawks, U.S.)
Gunga Din (1939, George Stevens, U.S.)

1940s
Sullivan's Travels (1941, Preston Sturges, U.S.)
The Miracle of Morgan's Creek (1944, Preston Sturges, U.S.)
They Were Expendable (1945, John Ford, U.S.)
Open City (1945, Roberto Rossellini, Italy)
A Matter of Life and Death / Stairway to Heaven (1946, Michael Powell and Emeric Pressburger, U.K.)
Beauty and the Beast (1946, Jean Cocteau, France)
All the King's Men (1949, Robert Rossen, U.S.)
Gun Crazy (1949, Joseph H. Lewis, U.S.)
The Third Man (1949, Carol Reed, U.K.)
The Bicycle Thief (1949, Vittorio De Sica, Italy)

1950s
Winchester '73 (1950, Anthony Mann, U.S.)
Sunset Blvd. (1950, Billy Wilder, U.S.) The Day the Earth Stood Still (1951, Robert Wise, U.S.)
From Here to Eternity (1953, Fred Zinnemann, U.S.)
The Earrings of Madame de... (1953, Max Ophuls, France)
Twelve Angry Men (1957, Sidney Lumet, U.S.)
Touch of Evil (1958, Orson Welles, U.S.)
Anatomy of a Murder (1959, Otto Preminger, U.S.)
Wild Strawberries (1957, Ingmar Bergman, Sweden)
Vertigo (1958, Alfred Hitchcock, U.S.)

1960s
Breathless (1960, Jean-Luc Godard, France)
La Dolce Vita (1960, Federico Fellini,. Italy)
Blowup (1966, Michelangelo Antonioni, U.K.)
Belle de Jour (1967, Luis Bunuel, France)
My Night at Maud's (1969, Eric Rohmer, France)
The Wild Bunch (1969, Sam Peckinpah, U.S.)

1970s
McCabe & Mrs. Miller (1971, Robert Altman, U.S.)
Last Tango in Paris (1972, Bernardo Bertolucci, Italy)
Badlands (1973, Terrence Malick, U.S.)
The Man Who Would Be King (1975, John Huston, U.S.)
Annie Hall (1977, Woody Allen, U.S.)

1980s
The Big Red One (1980, Samuel Fuller, U.S.; reconstructed, 2004)
Zelig (1983, Woody Allen, U.S.)
Prizzi's Honor (1985, John Huston, U.S.)
Once Upon a Time in America: director's cut (1984, Sergio Leone, Italy)
Ran (1985, Akira Kurosawa, Japan)

1990s
The Commitments (1991, Alan Parker, Ireland)
Raise the Red Lantern (1991, Zhang Yimou, China)
Fargo (1996, Joel Coen, U.S.)
L.A. Confidential (1997, Curtis Hanson, U.S.)
All About My Mother (1999, Pedro Almodovar, Spain)
Election (1999, Alexander Payne, U.S.)

2000s
You Can Count on Me (2001, Kenneth Lonergan, U.S.)