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Short Takes: Asia's Binoche
Carax likes carnal. He discovered Juliette Binoche way back in 1984, and then
made her. She was the lead in Les Amants at a time when their relationship was
up and down like a fiddler's elbow. The film was his yearning love poem to her;
it ached, it sparkled, it tormented, it bled. Now, 10 years on, Carax is in Asia
looking to cast for his next project -- and he's looking for fresh talent. The
French Romeo is looking for his Asian Juliette.
In Beijing recently leafing through a magazine, a picture of an actress/model
caught his eye. Two weeks later he met his potential muse in Hong Kong's Great
Eagle Hotel. Carax had already met Maggie Q and some of the Gen-Y Cops actors
the day before, and although he liked them as people, he had little interest in
them cinematically.
But then in walked 25-year-old Taiwanese actress Shu Qi -- the most rapturous
face in Asia. To look at Shu Qi is to look at Asia's Binoche, and more. She has
the ethereal, grave, soulful beauty the young Juliette Binoche exhibited, before
she went to Hollywood and got her soul ripped out. But more than that, Shu Qi
has a wilder side. If she'd been born French, she would have been a strong
contender for Beatrice Dalle's role in Jean-Jacques Beineix's "Betty Blue." Not
only do they have the same mouth, they both have the quality that makes you
believe they may never wake up the next morning, victims of an overdose, or
mental self-clubbing. They are fallen angels.
Carax had spent the previous night in his hotel room watching Shu Qi in the
infamous parody porn film, "Viva Erotica," with Leslie Cheung in the lead.
Smoking and scoffing lychees, he fast-forwards the film to find her screen
moments. He watches intently as she coos and saturates the lens -- and Leslie's
heart. Carax thinks she comes across as "une petite peu Betty Boop," but that
she evidently has the necessary gravitas for him.
Carax doesn't do platitudes. He tells Shu Qi during their meeting that if they
work together she's either going to have to sleep with him or marry him. Shu Qi
is aghast. She's doesn't exactly unravel in front of him. She's nervous, shy,
and far from indulgent. It's not surprising, really. Leos Carax is not only
famous for filmmaking, but also for his lack of sanitary prowess. He's like a
baby abandoned too long at the bottom of a 19th century fish basket. His breath
smells; his hands and feet are small and somewhat undernourished; he chews his
nails badly; and his hair is an afterthought. Shu Qi certainly meets Carax's
approval. He pronounces her to be at a "very curious stage in her life." This is
a reference to Shu Qi's efforts to upgrade her product from "B" league to "A"
league, which she tells him about.
One thing Shu Qi certainly wouldn't give him was any English. But Carax isn't
looking for the Queen's English for the role he has in mind. He wants Shu Qi
rather more street, than soigné. He wants broken English, building-site Brit
speak. Verbally, he wants Asia's Victoria Beckham -- poor man's Posh. In this
Shu Qi could oblige.
So Romeo got to see Juliette, but this time her name was Shu Qi. He now wants to
meet her in Paris or at Cannes (the film festival starts in a week). She's not
so sure. Shu Qi screwed up her face and looked like she was going to disgorge
when I asked what she thought of Carax. "He's very, very strange," she spewed.
"I'm not sure I could ever like him." Looks like Carax has a very big balcony to
climb if he is ever to consummate on celluloid this Juliette.
Before Carax left Hong Kong, he gave Shu Qi a copy of the book "Les Amants Du
Pont-Neuf" for her birthday. The message inside (his own yearning note) read:
"Dear Miss, please try and speak more English the next time we meet. Until then,
stay well, and remember to stay curious about everything. Love. LC."
In other words, Carax is ready for a whole new cinematic rapture, but I don't
envisage Shu Qi standing on the Pont-Neuf wondering wherefore her Romeo.
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