The film's success astonishes and embarrasses Hollywood executives, many of whom said no thanks to an action film pairing Chan with Chris Tucker, an agreeably yelping black actor-comedian. Disney could have had Rush Hour; that's the studio that Roger Birnbaum, the film's executive producer, calls home. He had to go to New Line Cinema, which had distributed most of Chan's recent films. It's one of those happy Hollywood tales: the picture no one wanted to make, with the Asian star Hollywood had nearly discarded, strikes a chord and strikes it rich. "Jackie," says New Line chief Robert Shaye, "was a class act waiting to happen. There's always been a market for charming, ingenuous action stars. From the first time I saw his movies, I knew he could succeed here if he were cast appropriately in a film that was really designed for an English-speaking action audience."

To give Western audiences a fuller view of their new hero, Chan has just issued his autobiography, I Am Jackie Chan: My Life in Action (Ballantine Books). Written with verve and narrative skill by Jeff Yang, the Los Angeles-based publisher of A., an Asian-American life-style magazine, the book is as funny, brisk and exciting as any Jackie movie, with the surprise of poignancy. Here he talks for the first time about his father's turbulent life in old Shanghai, about the cruel but inspiring martial-arts master whose school Jackie attended as a boy, about his bittersweet love affair with pop star Teresa Teng Lai-kwan and his secret, 15-year marriage to Taiwan actress Lin Feng-jiao. The book manages to be brutally revealing and consistently charming--Jackie is beating himself up, just to entertain you.

The author is a movie star first; he must be thrilled by Rush Hour's popularity, right? You would think that. But listen. "All those years in Asia, all my life, every movie I made, the one moment I waited for was the opening," he says, punctuating his thoughts and acting out his feelings as if every sentence were the climactic fight scene from Drunken Master II. "Bang! Yeah! Success! O.K.! Then, go on to something else. I waited 15 years to become a success in America. Now Rush Hour is a hit, and there's a lot of happy news. People keep calling up and congratulating me. But I say what I always say: 'Wow! Finished. What's next?'"

Why is the chronically energetic, typically optimistic Chan speaking with skepticism? Perhaps he is hedging. It's possible that Rush Hour is a fluke, albeit a gloriously profitable one, and that Jackie could soon be back where he was: movie king of the Pacific Rim. Perhaps also he is reluctant to give lavish credit to a film that he did not totally control. "In America there is no way I can make the kind of movie I like to make," Chan says. In Hollywood, even now, the king is only an ambassador.

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