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Sachiko Sakamaki.
TIME's Sachiko Sakamaki, left, is now proud of her Japanese heritage.
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WEB-ONLY
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Wednesday, May 2, 2001
First Impressions
Columnist Peter McKillop first discovered Japan through books and television. Then he moved there
Wednesday, April 26, 2001
Geishas & Godzillas
Photo Essay: Which is odder -- the image of Japan in Hollywood movies or the image of Japan
in its own films?
Wednesday, April 25, 2001
Pure Art
Photo Essay: Japanese fashion designers have revolutionized clothes -- and thrill crowds each year at Paris Fashion Week -- but none head a major Western fashion house. Why?
Tuesday, April 24, 2001
Generation Gap
A Korean boy's love of Japanese animation stokes memories of wartime occupation in his grandmother
Monday, April 23, 2001
Through His Son's Eyes
TIME's Tim Larimer found raising his young son, Jack, in Tokyo took some time to get used to
Friday, April 20, 2001
Do You Take This Man?
Being the wife of a foreigner in Japan has its ups and down, says TIME reporter Hiroko Tashiro
Friday, April 20, 2001
Discovering Her True Self
TIME's Sachiko Sakamaki didn't realize she was Japanese -- until she moved to America at age 23
Friday, April 20, 2001
Kobans and Robbers
An obscure Japanese import is racing across America -- reducing crime and increasing safety along the way
Thursday, April 19, 2001
Exceptions to the Rule
It's easy to see Japan as dull and boring, says TIME's Ginny Parker, but below the surface is another world
Wednesday, April 18, 2001
Why...You...Lazy Octopus!
Japanese curse words lose something in the translation
Wednesday, April 18, 2001
My Japan
TIME correspondent Donald Macintyre spent 12 years in Japan--and found a country less than frank and open
Tuesday, April 17, 2001
'The Hardest Part Is Wearing a Kimono for Hours on End'
TIME talks to Liza Dalby, the first and only Westerner to become a geisha
Friday, April 13, 2001
'They're the Backbone of this Nation'
Japanese women are more than cute faces who know how to dress, argues columnist Peter McKillop
Thursday, April 12, 2001
'I Admire Their Attention to Detail and Quality'
Brazilian-born Carlos Ghosn on reinventing Nissan, bridging cultural gaps, and learning Japanese
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MAGAZINE APRIL 30, 2001, VOL.157 NO.17
Wild Rice
Rocking the roll
Forget tekka maki. Never mind negitoro. California roll? That's so five minutes ago. Here's what I want in my sushi: baby eel, snow crab, mango, coconut and cucumber.
In one roll. Purists may shudder, but in New York City, bizarro sushi combinations are as hot as jalapeNo peppers (another popular ingredient). "I love sushi," says Beverly Goodman, a Manhattanite dining at the flashy Ruby Foo's, makers of the eel-and-crab roll. "But like all New Yorkers, I get bored easily. I always want to try something new."
New York chefs are happy to comply. Ruby Foo's serves up unabashedly inauthentic creations, like a grilled pineapple, kiwi and mango maki with a neon-green cilantro sauce. Monster Sushi features the fist-sized Monster Roll: eel, shrimp, avocado, asparagus, mushroom, flying-fish roe and spinach. Even more shocking: Sushi Samba combines salmon, shiso, jalapeNo, red onions, eel and gooey melted mozzarella in its El Topo Roll (accompanied by spicy mayo and onion fritters).
O.K., the El Topo tastes sort of like a tuna melt, but some innovations are surprisingly good. Still, at times it feels that messing with sushithe crown jewel of Japanese cuisineis the equivalent of tarting up the Mona Lisa in mascara and a dye job. "It may not be traditional," agrees Jonathan Moore, owner of the Bond Street eatery, "but you gotta admit it's fun."
L.T.C.
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