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WEB-ONLY
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Wednesday, May 2, 2001
First Impressions
Columnist Peter McKillop first discovered Japan through books and television. Then he moved there
Wednesday, April 26, 2001
Geishas & Godzillas
Photo Essay: Which is odder -- the image of Japan in Hollywood movies or the image of Japan
in its own films?
Wednesday, April 25, 2001
Pure Art
Photo Essay: Japanese fashion designers have revolutionized clothes -- and thrill crowds each year at Paris Fashion Week -- but none head a major Western fashion house. Why?
Tuesday, April 24, 2001
Generation Gap
A Korean boy's love of Japanese animation stokes memories of wartime occupation in his grandmother
Monday, April 23, 2001
Through His Son's Eyes
TIME's Tim Larimer found raising his young son, Jack, in Tokyo took some time to get used to
Friday, April 20, 2001
Do You Take This Man?
Being the wife of a foreigner in Japan has its ups and down, says TIME reporter Hiroko Tashiro
Friday, April 20, 2001
Discovering Her True Self
TIME's Sachiko Sakamaki didn't realize she was Japanese -- until she moved to America at age 23
Friday, April 20, 2001
Kobans and Robbers
An obscure Japanese import is racing across America -- reducing crime and increasing safety along the way
Thursday, April 19, 2001
Exceptions to the Rule
It's easy to see Japan as dull and boring, says TIME's Ginny Parker, but below the surface is another world
Wednesday, April 18, 2001
Why...You...Lazy Octopus!
Japanese curse words lose something in the translation
Wednesday, April 18, 2001
My Japan
TIME correspondent Donald Macintyre spent 12 years in Japan--and found a country less than frank and open
Tuesday, April 17, 2001
'The Hardest Part Is Wearing a Kimono for Hours on End'
TIME talks to Liza Dalby, the first and only Westerner to become a geisha
Friday, April 13, 2001
'They're the Backbone of this Nation'
Japanese women are more than cute faces who know how to dress, argues columnist Peter McKillop
Thursday, April 12, 2001
'I Admire Their Attention to Detail and Quality'
Brazilian-born Carlos Ghosn on reinventing Nissan, bridging cultural gaps, and learning Japanese
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Generation Gap
A Korean boy's love of Japanese animation stokes memories of wartime occupation in his grandmother
By DONALD MACINTYRE
Jung Woo Suk likes nothing better than to sit down with some cool Japanese
animation or a new Japanese-made video game. Jung, who graduated from a top
university in Seoul last year, now runs a website for a computer magazine. But
whenever he has spare time, he sits down with his PlayStation or his computer
and plays video games -- Dragonquest 7, Black Matrix Cross and Super Robot War
are among his favorites. When he feels like watching some animation, one of his
top choices is a series by a Japanese team called Gonzo. It was shown on
television in Japan, but he watched it over the Internet in Seoul. He also liked
the Gatekeepers and the Vandred series.
Japanese animation has it all, according to Jung. The drawings are good, the
production values are high, and the story lines are well structured. "They're
really fun to watch and there are so many different topics," he says. Jung
watches every bit of Japanese animation brought into Korea: he watches one or
two animated cartoons a day, but sometimes he spends all night in front of the
computer, watching clips downloaded from the Internet. His source of information
on Japanese animation comes from a Korea-based on-line site where people go to
swap tips and download clips.
Jung's interest has raised his awareness of Japan. He even went there on a short
trip in 1999 and was impressed -- it was clean and the people were kind, he
says. But he didn't have his rose-colored glasses on. He is well aware of
Japan's brutal colonization of the Korean peninsula, and knows that Japan's
conservative leaders and opinion makers are unrepentant. That colors his image
of Japan the country with some darker strokes. "They still have this fantasy
about their militaristic past," says Jung. "They don't think they did anything
wrong." But Jung doesn't see any contradiction in his position. "Feelings for a
country and appreciating a work of art made there are two different things. It
is only right to enjoy a work of art as it is."
Jung Soo Bong, 76, is Jung's grandmother. As a young woman, she lived in Seoul
during the Japanese occupation. She doesn't like to talk about it much. Besides,
she says, "everybody went through it." But probe a little and the bitter
feelings aren't too far below the surface. Right after she got married at the
age of 21, the Japanese came and press-ganged her husband into the military. She
was separated from him for over a year and didn't see him again until after
Japan's defeat in 1945. "I try not to harbor bitter feelings toward Japan
because it is all past history," she says. "But it is true my feelings toward
Japan are not pleasant."
She hasn't talked about her experiences with her grandson, but she would if he
asked. She just wishes her grandson didn't like Japanese culture so much.
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