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APRIL
3 , 2000 VOL. 155 NO. 13
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Shincine
Communications
Freer expression: In the relaxed climate, officials approved Jang
Sun Woo's film Lies.
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C
E N S O R S H I P
Revolution:
Sex Comes to the Arts
By TIM LARIMER
Kim Dae Jung promised a new era of openness when he took office in 1998.
That's one pledge he has kept, though perhaps not in the way he envisioned.
You want freedom of expression? You got it. In the past year, South Koreans
have been exposed to the tell-all chronicle of a popular actress' sexual
coming of age. They have thrilled to a Lolita-esque film about a sexual
liaison between an adult man and a teenage girl. They have been able to
watch a movie that involves a ménage-à-trois and lesbian sex. The Land
of the Morning Calm is suddenly looking more like the Land of the Midnight
Romp. "We are trying to encourage broader exercise of freedom of artistic
expression," says Park Jie Won, Minister of Culture and Tourism.
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In the
bad old days of military dictators, works like these would have been banned,
assuming anyone had dared to write or produce them. Within a year of taking
office, Kim got rid of the arts review body that had been criticized for
heavy-handed censorship and replaced it with a board that merely rates
films for age appropriateness. One of its first acts was to lift a ban
on Yellow Hair, a 1999 film that deals with dangerous and violent sex
games. "We would rather see the public engage in an open debate," says
Park, "to decide what is the socially acceptable limit on sexual expression."
This is new territory for South Korea, where, until now, sexual matters
weren't discussed in public. Actress Suh Gap Sook's book I Also Want to
Be a Porn Star shocked many Koreans when it was published last year and
prompted state prosecutors to require that the book be stamped with warnings
and wrapped in plastic when it hit store shelves. Predictably, sales soared.
Then film director Jang Sun Woo came out in January this year with Lies,
based on a book by Jang Jung Il, who was imprisoned on obscenity charges
in 1996 for publishing a novel about a sadomasochistic relationship between
a sculptor in his 30s and a teenage girl. "I would have never dreamed
about making a movie like Lies under the military dictators," says the
film's producer, Shin Chul. "I believe we now have democracy, so I dared."
The
public response showed that South Koreans aren't all pleased with the
new era of sexual frankness. "It is just obscene pornography," says Kwon
Jang Hee, secretary-general of the Committee to Eradicate Obscenity and
Violence in the Media. The new rating board at first refused to rate Lies,
saying its subject matter "departs from socially accepted common notions."
In the end Shin volunteered to cut 17 minutes' worth of film. The attendant
publicity helped Lies pull 200,000 viewers in the first week of its release.
Lost in the uproar was the movie's message: Lies "mocks the fascist aspect
of Korean society," says Suh Jung Nam, a film professor at Seoul's Dongguk
University. The protagonist is beaten by his disciplinarian father as
a child and, as a man, decides that beating his girlfriend is an acceptable
expression of love--just as "the military government tortured democracy
activists in the name of love for their country," says Shin. As for Hee
and his committee, they have plenty of battles ahead. Next on the government's
agenda: legislation to permit X-rated theaters. You want pornography?
You got it.
Reported by Stella Kim/Seoul
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