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MAY
29, 2000 VOL. 156 NO. 21
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Andy
Wong/AP for TIME.
Law officers sort through suspect VCDs during a raid in Kuala Lumpur.
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Digital
Underground
Malaysia's
attempts to fashion itself as Asia's Silicon Valley are threatened by
a booming piracy industry
By ERIC ELLIS
Among Malaysia's legions of civil servants, few are as implacable as Pahamin
Rajab. As point man in the country's struggle against digital counterfeiting,
Pahamin cuts a colorful figure. Decked out in his trademark bow tie and
Akubra cowboy hat, he recently led 100 security agents on a morning raid
through a downtown shopping mall, seizing illegal music, video and computer-software
CDs. At one retail booth, a television monitor was advertising the bootlegged
wares. "Take the TV," he ordered, pointing with his gold-tipped walking
stick. "The law gives us the right to take anything that is used to sell
pirated products, and we will be back day after day until they shut down
forever."
Tough talk, but Pahamin has a long way to go. As secretary-general of
the Trade and Consumer Affairs Ministry since 1998, he has watched Malaysia
become one of Asia's biggest centers of digital piracy. For years, illegal
CDs came largely from factories in Taiwan, Hong Kong and mainland China.
But as police have cracked down on criminal syndicates in those places,
much of the production moved south. A recent report by the International
Intellectual Property Association says: "vcd piracy originating in Malaysia
is polluting markets all around the globe."
Malaysian factories churn out an estimated 315 million CDs a year, worth
$300 million. By comparison Thailand produces less than one-third that
amount and is still importing principally from Malaysia. Just three days
after last year's blockbuster Star Wars, Episode 1: The Phantom Menace
opened in U.S. theaters, pirated versions were on sale in Kuala Lumpur.
And within two weeks, Malaysian-made copies had popped up in nine other
Asian countries. Local knock-offs have been spotted as far away as southern
Africa, Europe and South America. Malaysia's legitimate CD producers are
feeling the squeeze. Kuala Lumpur has encouraged digital production--which
has expanded from one optical disc plant in 1996 to around 50 today--as
part of the country's effort to move up the technology ladder. But producers
who respect intellectual property rights complain they cannot compete
with the meatier profit margins of those who don't.
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Piracy
is also crippling the local film and music industries. Employment at music
production houses has dropped by a third since 1996, and many artists
are holding back new releases until their rights are protected. Malaysian
filmmakers released seven movies last year, compared with 18 in 1995,
and box office receipts are down 49% over the past two years. Yusof Aslam,
a prominent film producer, was so incensed when bootlegs of his Pasrah
(Acceptance) appeared a day after its release in January that he personally
led authorities on raids. CD pirates "are like leeches, sucking the life
out of the film industry," reports the Video and Film Industry Association
of Malaysia.
Pahamin has 500 agents at his disposal, but they spend much of their time
monitoring the price of chickens and other staples that are part of their
domestic-trade mandate. His strategy is to shut down the counterfeiters
rather than go after consumers. But the outlaws are outwitting the sheriff.
One night last September Pahamin and 100 officers descended on a warehouse
in Johor Bahru--a major transit point for goods headed to Singapore--that
had been under surveillance for months. The building was empty; its occupants
apparently had been warned of the impending raid. Similar forays have
also turned up nothing. "As sophisticated as we are," concedes Pahamin,
"the pirates are more sophisticated."
Authorities suspect that pirates contribute to a common fund to reward
tip-offs. On some raids, agents have run up against closed-circuit cameras
and steel doors that slow their progress enough to allow the culprits
to escape--after throwing phony wares into shredders and acetone vats.
Even counterfeiters who are caught often escape punishment: a 1987 law
stipulates prison terms of up to five years for copyright infringement,
but courts have yet to send an offender to jail.
That may change. Parliament is expected to adopt a law that will require
manufacturers to maintain stricter records on raw materials, provide for
specially trained prosecutors and judges in copyright-violation cases
and ensure tougher penalties. The U.S. industry, which claims it lost
$287 million in CD sales to piracy last year, is lobbying for tough action
against the country. "Even if we don't succeed, it will not be for lack
of trying," says Pahamin. The new bill would also make it easier for his
agents to stage surprise raids: Pahamin's cowboy hat may become a common
sight to many Malaysians.
Reported by Ken Stier/Kuala Lumpur
Write to TIME at mail@web.timeasia.com
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