Springsteen claims he is a big believer in the old saw "Trust the art, not the artist." But Springsteen devotees love the songs and the singer equally, and by playing his fans' experiences back to them over stadium speakers, Springsteen has been an active partner in a pop syllogism: he sings about people like me; he looks and dresses like me; therefore he must be a person like me! Perhaps what Springsteen means, as some of his friends suggest, is that he feels less worthy than the people he sings about. Perhaps that's why touring, communing with those who adore him (and whom he adores) is such a critical part of Springsteen's life.

In mid-July, Springsteen and the E Street Band were holed up in a small theater on the Fort Monmouth Army base, cramming for a 46-city tour that starts Aug. 7. During a break backstage, the band members were playing their consummate blue-collar roles. Guitarist "Little" Steven Van Zandt says he has to move out of his Eighth Avenue apartment in Manhattan after 20 years. "The place is fallin' apart." Drummer Max Weinberg suggests Steve check out a place in the legendary Upper West Side apartment building the Dakota; Van Zandt looks as if he has just been told to eat his pizza with a knife and fork. "Yeah, for $7 million? Very funny," he responds.

Meanwhile, at 52 Springsteen still looks as if he just strolled off the cover of Born in the U.S.A. As E Street Band member No. 9 in a black sleeveless undershirt and tan work pants, he moves across the stage like a camp counselor, all energy and encouragement as the group struggles to get the new songs down: "I know this stuff is hard. Don't worry; we'll get it, and it's gonna be fabulous! Now what we're gonna do this time ..." During a break, Springsteen bounds out into the house seats. He thinks the pace of the band's learning curve is fine. He is happy to be playing with his old friends. But he is also not satisfied. "If I have a good trait, it's probably relentlessness," he says. "I'm a hound dog on the prowl. I can't be shook!"

When not near a guitar, Springsteen tends to be quiet, serious and very still. With a Fender in his hands, he's a horse that can't wait to run. He loves playing music for anyone, anywhere, anytime. "Ultimately," he says, "it's not anything near a selfless experience. It's very self-fulfilling and revitalizing. I'm up there trying to fire myself up. When the metal hits the pedal—bang!—I got a destination that I am moving toward, and I'm not gonna be satisfied till I get there. For me." Of course, Springsteen's pleasure is famously infectious. Springsteen feeds off the crowd, which feeds off him in an endless cycle of stadium euphoria.

When he is onstage, Springsteen says, he sometimes feels like a preacher, and on the last E Street Band tour, he did a mock monologue in a fire-and-brimstone voice about the power of music. "It was one of those things that was joking but serious at the same time," he says. Springsteen is a lapsed Catholic, but whether he is telling Scialfa that he wants her backup vocals to be "more gospel" or asking his listeners to "come on up for The Rising," he understands that spiritual revival is a necessity and that it has to be a communal experience. "I think that fits in with the concept of our band as a group of witnesses," he says. "That's one of our functions. We're here to testify to what we have seen." And to hear the testimony of others.

1 | 2 | 3 | 4

Get the Magazine — Try 4 Issues Free!

It Ain't No Sin to Be Glad You're Alive: The Promise of Bruce Springsteen By Eric Alterman Price: $13.95

	NATION Inside the Mind of the CEO President Bush may be an M.B.A. and a former CEO, but his experiences haven't taught him to warm to Wall Street. Here's how the President does his figures BUSINESS Housing Bubble? Yes, prices have soared. But there's little reason to fear a property bust WORLD Do We Still Need the Saudis? Oil has sustained the alliance between the U.S. and Saudi Arabia for decades. But extremism in the kingdom is putting those ties to the test PHOTO ESSAY The Children of Angola Photographers by Sebastião Salgado