Bad Reception
It is fighting for journalistic credibility — and its commercial rivals smell blood.
Worldwide Player
As it expands its for-profit ventures around the globe, rival media groups are crying foul. How the Beeb learned to love capitalism
The Competition
Now France and Germany are trying to crack the international TV-news market
Digital Goldmine
The Corporation is planning a digital archive that would make "the best television library in the world" available online

Public Service
Taking care of the home audience
Commercial Break
Paying the bills
Slice and Dice
The Economics of Auntie

Blair in the Glare The Hutton Inquiry heats up [Sept. 8, 2003]
Voyeur TV We like to watch [U.S. Edition June 26, 2000]
Indicates premium content

E-mail your letter to the editor





The BBC has been used by generations of leaders, from Winston Churchill to Tony Blair, pictured, to speak to the British public and the wider world
JEFF OVERS/PA
HIS MASTER'S VOICE: The BBC has been used by generations of leaders, from Winston Churchill to Tony Blair, pictured, to speak to the British public and the wider world


Bad Reception
It is fighting for journalistic credibility — and its commercial rivals smell blood. Can the British Broadcasting Corporation be both a global player and a public servant?
print article email TIMEeurope Subscribe

Posted Sunday, October 5, 2003; 12.48BST
In a large concrete bunker far beneath the Bournemouth convention center, where the Labour Party held its annual conference last week, the British Broadcasting Corporation was hard at work. Amid temporary power lines and data cables, huddled around laptops and editing equipment and food wrappers, gaggles of journalists and technicians were churning out news for the many outposts of the Beeb's far-flung empire. Each had a laminated sign over its table: World Service, News 24, Radio Scotland, Radio Wales, Breakfast News, The World Tonight, P.M., The World At One, Today, Newsnight, Radio 5 Live, Arabic Service. A few hundred meters away, at the beachfront hotel where the top brass of Tony Blair's government was staying, the chairman of the BBC's Board of Governors, Gavyn Davies, was hard at work, too. "I'm going to lunch to be attacked by politicians," he joked.

The BBC isn't worried about where its next meal is coming from, but it is under heavy fire: from the Labour government over the claim by Today program reporter Andrew Gilligan that Blair's communications director, Alastair Campbell, sexed up the dossier Blair used to justify war in Iraq; from commercial rivals who claim the €167 annual levy on every household with a television amounts to an unfair subsidy to help the Beeb enter new for-profit ventures in Britain, Europe and the U.S. (see following story); and from conservative critics who allege liberal bias in BBC reporting and reject the need for any state-funded broadcasting. Without the €3.8 billion the BBC gets in annual subsidy, it couldn't afford all those reporters, or the expensive dramas, documentaries, educational programs and comedy shows it exports around the world, which have won it an unrivaled reputation for broadcasting excellence. But as the Beeb ramps up for a government review of its charter that could turn off that spigot and curtail its activities, "it is probably under more hostile attack now than it ever has been in its history," says Steven Barnett, a professor of communications at the University of Westminster.

It wasn't always this way. Before the digital age started fracturing audiences, the Beeb was Britain's hearth; it tried to unify and uplift as it informed and entertained. The image of a man with a three-piece suit and a posh accent intoning the news into a microphone has always been more iconic than true; BBC programs have been setting trends and breaking news for decades. But the outlets it must now fill have become so vast and varied, and the tastes and cultures it serves so divergent, that it no longer seems run by a single benign intelligence. Its reporters, like its arts programs, have become edgier and more opinionated. But icons are not supposed to be edgy, and in reflecting the age, the BBC has inevitably undercut its own authority.

1 | 2 | 3 | Next







Table of Contents
Subscribe to TIME

ADVERTISEMENT

On New Year's Eve, the Miseries of Minsk
As Russia hikes up the cost of gas for Belarus, the mood turns gloomy
Mogadishu at 60 Miles an Hour
Arms merchants are once again doing brisk business after a rapid change of power in this tough town, but so far the peace has held
The Year of The Nuke
A rundown of the world's nuclear powerhouses, and what to expect in the coming months
QUICK LINKS: Bad Reception | The Beeb Worldwide | The Competition | Digital Goldmine | Back to TIMEeurope.com Home
FROM THE OCTOBER 13, 2003 ISSUE OF TIME MAGAZINE; POSTED SUNDAY, OCTOBER 5, 2003

 © 2003 Time Inc. All rights reserved.
Reproduction in whole or in part without permission is prohibited.
Subscribe | Customer Service | FAQ | Site Map | Privacy Policy | Terms of Use | Contact Us
World Watch e-mail | Try AOL UK for 120 hours FREE | Try FOUR free issues of TIME