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The Language of Bridges
The crazy young engineers at Arenas have grand designs
By ROD USHER

They are a team of 11, including a Swiss, a Chinese and an Italian, and one of their members, Juan José Arenas, des-cribes them as "a group of crazy young engineers doing great things." This despite the fact that his father, also Juan, head of the design firm Arenas & Associates, is 60, and one of the doyens of Spanish engineering. It is hard to travel far in Spain without crossing one of his bridges. Arenas Sr. smiles at his American-educated son's description, accepting the fact that the rest of the staff members are his juniors by decades, and that "crazy" means energetic. Beyond dispute is that the small firm — started by Arenas Sr. in 1999 in the northern city of Santander — is among the new wave of Spanish bridge designers.

The two most emblematic bridges by Arenas are the crossing of the Guadalquivir to the 1992 Expo site in Seville and a giant drawbridge in the port of Barcelona, inaugurated this July. At their apogee its two leaves, each weighing about 2,000 tons, reach 74 m above the water.

But while engineers have always built bridges — Arenas guesses he has designed between 150 and 200 — they have remained what he calls "the monks of the business." It is architects who have the high profile. He cites the example of engineer Eduardo Torroja, who from the 1920s to the 1960s designed some of Spain's finest bridges, aqueducts, churches and stadiums, but who is an unknown compared to Catalan architect Antoni Gaudí.

One day Arenas hopes there will be a European Institute of Structural Art, where both architects and engineers "can learn to share a common language of structure, rhythm and harmony." In Venice next April he will co-chair an international workshop called "The World of Bridges," looking at new building techniques.

Does he ever think there will be one across the 13 km of water separating Europe from Africa, a shorter distance than the bridge now linking Sweden and Denmark? "That's been discussed for ages, but the idea has been all but abandoned," he says. "Apart from the risks to shipping, the water in the Straits is 300 m deep in places."

Meanwhile, Arenas' "crazy" young team is exporting Spanish talent. Its latest design has just beaten some 80 others, including entries by Norman Foster and Santiago Calatrava, in a competition for a new bridge across the Tiber in Rome.




trip 1

Iberian Connections
A count with a social conscience, flourishing ancient trades and folk-singing Irish pilgrims

Photo Gallery
Check out the photos from this leg of TIME's Fast Forward Europe voyage

Immigrant's Tale
An African from a former Portuguese colony is now a Lisbon architect with political aspirations

Bilbao Reborn
The Guggenheim museum is just a part of this rust belt city's renaissance

Dotcom Paradise
The Catalan capital is becoming a hive of young Networkers

It's Up to Us
Spanish footballer Josep Guardiola on the price of players and the need for cultural identity

Fine Art of Science
Spanish architect Santiago Calatrava's buildings echo the natural world

Language of Bridges
A Spanish-led team always has one more river to cross

'I Can Only Be Happy if My Neighbor Is Happy'
Missing family jewels are the last things on the mind of a modern Portuguese count

Engine of Change
The Guggenheim Museum in Bilbao has helped turn the region's economic fortunes around

Between Two Worlds
TIME talks with Roma journalist Joan Manuel Oleaque

People To Watch: Leire Pajin | Madredeus | Ariadna Gil



 
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