THIS ISSUE
Table of Contents
Subscribe to TIME
ADVERTISEMENT
Other News
On New Year's Eve, the Miseries of Minsk
As Russia hikes up the cost of gas for Belarus, the mood turns gloomy
Mogadishu at 60 Miles an Hour
Arms merchants are once again doing brisk business after a rapid change of power in this tough town, but so far the peace has held
The Year of The Nuke
A rundown of the world's nuclear powerhouses, and what to expect in the coming months
FIRST SITTING Michel Bras' spectacular Laguiole restaurant

Eat Your Heart Out

Across Europe, innovative chefs are shaking up our traditional relationship to food. A Grand Tour of the hotbeds of gastronomic revolution

Culinary Marvels

I've never been to Buckingham Palace. Never flirted in a Venetian gondola. The Colosseum, Stonehenge, the Louvre — Europe is full of history's marvels, but who can see them all when there are so many incredible places to eat? A perfectly roasted Bresse chicken at L'Ambroisie in Paris is a greater monument to French culture than Versailles.

Sightseeing is something I do between meals. Salvador Dalí's Cadaqués and the white-knuckle drive suspended between sky and sea along Spain's Costa Brava are among my favorite places in the world, but I might never have gone there if they weren't on my way to El Bulli, the world's most surreal restaurant. And maybe I could have taken tea with the Queen if I hadn't been so keen to try nitro green tea lime mousse and other edible science experiments at the Fat Duck in Bray, England.

The classic European Grand Tour focused on past splendors and ignored the extraordinary here and now. No more. The Escorial still impresses, but it's the Guggenheim Museum Bilbao — and the Basque restaurants around it — that captures the imagination. Europe still has its grand classic cuisine, of course, but it is also in the middle of a gastronomic revolution. The new cuisine is questioning generations of culinary tradition. El Bulli and Fat Duck are the current poster children of shock food, with their startling vanguardist deconstructions of familiar standbys: bacon-and-egg ice cream, anyone? Sometimes they use high-tech alchemy to create entirely new substances, like El Bulli's flagrantly fake cantaloupe caviar. But modern innovative cuisine is not just rebellion without a cause, nor was it invented yesterday. Not all creative cooks are gastronomic mad scientists. Creativity comes in many forms. Some are searching for new or purer flavors, new combinations and new techniques. All of them are making imaginative dishes that redefine our relationship to traditional food.

Modern food, even more than modern art, is an acquired taste. Goethe once said, "There's nothing more dreadful than imagination without taste." Nothing is more challenging than to eat the unknown. At its worst, the new European cooking falls into silly novelty; at its best, it rocks you back on your heels with surprise and delight.

The last culinary shift was called nouvelle cuisine and was primarily French. This time, though, the moxie is coming from all over Europe, particularly iconoclastic Spain. In each country, new-wave chefs are plating ideas, not mere ingredients. Today, diners have to check at the door any preconceptions about what dinner is supposed to be and go to table with an open mind — and palate.


Michel Bras
Laguiole, France
Laguiole, on the Massif Central in the gut of France, is famous for its corkscrew pocketknives. It's also in the middle of nowhere. Nothing but golden Aubrac cows and brooding meadows as far as the eye can see. Suddenly, 6 km east on the road to Aubrac, a stark glass-and-steel capsule rises over the crest of the plateau.


Staying and eating chez Michel Bras is not your typical French country weekend. It's like going on a Zen retreat in a space colony. Luxe but austere rooms furrow low into the ground, while the panoramic dining room soars over the fields and fog. The sound of water running over stones is everywhere.

He may not be a simple farmer, but Bras is the embodiment of the French ideal of terroir. Pearly monkfish, a creature alien to the region, when paired with jet black dried-olive sauce (made from whizzing dried black olives with oil) becomes the ultimate expression of the play of sunlight and clouds on the Aubrac plateau. Bras translates gargouillou, local slang for a rustic dish of potatoes and ham, into an epic, airy salad created anew every day from 40 or more ever-changing elements, depending on the inspiration of the market, each individually seasoned and artfully composed. It is Bras' daily love poem to his land, and it's perhaps the greatest achievement of culinary abstract art of our time.

Incredibly, beneath the severe formal aesthetic remains the soul of the provincial family inn. In the kitchen, Bras is slicing artichokes, stopping only to direct a guest to his favorite country walks. His elderly mother is hauling a huge pot for aligot, the wonderfully stretchy, cheesy old-fashioned potato purée that brings every Bras menu back down to earth. A tiny granddaughter is standing on a chair and cutting out sugar cookies. Hopefully, some things will never change.


L'Arpege
Paris
I had to look twice. It was the most audacious thing: a single sheet of barely cured wild Danish salmon, as big as a platter yet hand-sliced gossamer thin. No garnish, no sauces, none of the usual Michelin three-star flash. Just naked perfection.

TOP Go To Top

That first meal in the contemporary Art Deco dining room of L'Arpège in Paris was an education. I thought I hated eggs until Alain Passard's virtuoso coddled egg with sherry vinegar and maple syrup brought me to my senses. We ate so much salt-grained Breton butter that the waiter wrapped up half a kilo for us to take home. It was the first time we got ecstatic over a chive or truly understood that a tomato is a fruit.

L'Arpège has been around long enough that the sherry-maple egg and the stuffed tomato dessert are almost as iconic as the Eiffel Tower. But Passard's creativity is never greater than when he's reinventing himself. He once made his reputation for meats — meticulously pan roasted for hours on the stovetop instead of in the oven — then quit cooking red meat to focus on vegetables. A cauliflower en croûte gets carved up table side with the ceremony once reserved for the noblest roast beast.

Passard is the jazz sax minimalist of post-nouvelle French cuisine. His improvisations become instant classics; his menus play like concept albums. He has the culinary equivalent of perfect pitch.


St. John
London
After so many haute couture veggies, it's time for some real meat. Near Smithfield Market in London 's once-gritty Clerkenwell district is a Georgian town house formerly used as a smokehouse and the headquarters of Marxism Today. Its latest incarnation is St. John Restaurant, a bistro dedicated to offal, politely known as "nasty bits."

St. John's institutional chic dining room is part 19th century lunatic asylum, part abattoir. The menu reads like a butcher's list by Monty Python: chitterlings and dandelion, warm pig's head, venison heart, crispy pigs' tails, blood cake, deep-fried squirrel. This is no place for the squeamish. Even my husband, who grew up on boiled pig's snout, found braised spleen tough to swallow. The signature bone-marrow and parsley salad is one of the tamer and most delicious choices.

Culinary adventurer Anthony Bourdain of Kitchen Confidential characterizes St. John's Fergus Henderson as "George Washington, Ho Chi Minh, Lord Nelson, Orson Welles, Pablo Picasso and Abbie Hoffman all rolled into one." St. John attracts its share of macho eaters who talk big about yak blood and snake wine. It dares to charge City bankers $26 for pig guts. But it's also a wake-up call to a mad-cow world that has forgotten that there's more on the hoof than supermarket sirloin. It's hard not to acknowledge where meat comes from when it is staring back at you. St. John might make some people seriously consider going vegetarian, but it also rekindles the pleasures of going the whole hog.


Le Calandre
Padua, Italy
My pocket was picked outside the great basilica of St. Anthony of Padua, but the thief kindly left enough for dinner at Le Calandre. So on we went to the next stop on our Padua pilgrimage.

The most astonishing thing about Le Calandre is not that Massimiliano Ajalmo was the youngest chef to win Michelin's three-star ranking, but that he did it in such an unlikely location — the hilarious Hotel Maccheroni, a glorified motel decorated with dried pasta, on a suburban strip of faucet warehouses and commercial offices. It takes youthful bravado to cook contemporary adventure food in Italy, where everyone quite correctly insists that Mama is the best cook in the country.

The stars haven't weighed down the Ajalmo sense of fun. Like the family hotel, the kitchen doesn't take itself too seriously. The grand classics are light and lighthearted: a frothy cappuccino of squid in its ink, or maybe a perfect risotto jazzed with licorice or coffee powder. Alberto's birthday "cake" walked straight out of a Fellini fantasy. And after midnight, when the chef's own birthday celebration spilled out of the kitchen, everybody in the dining room joined in. Food good enough to make us forget the pain of a stolen wallet — and another birthday — is just short of a miracle.


Mugaritz
Errenteria, Spain
The Basque country surrounding San Sebastián, with its passion for seafood and proud gastronomic traditions, is one of Europe's tastiest places to get lost. Good thing, because most people searching the maze of hilly rural roads for Mugaritz probably will get lost, at least without night-vision goggles.


LUIS LOPEZ DE ZUBIRIA
BASQUING IN IT Aduriz is a key player in Spain's brave contribution to gastronomy

Eventually they'll come upon a stylish restaurant nestled in a hillside herb garden. Inside, Andoni Luis Aduriz cooks like a prodigy and talks philosophy like an enlightened zealot. His cerebral dishes play down the sci-fi pyrotechnics he learned at El Bulli in favor of a primitive, heartbreaking beauty. Plants long lost to gastronomy like oxalis, hazel and cucumberish salad burnet haunt Mugaritz's menu.

His food has a way of being both soothing and startling. A circle of teardrop-shaped peas glows pale green under a melting gel blanket scattered with purple blossoms. Sauces are often infusions, pure aroma in liquid state. Saint-John's-wort steeps in oil in the sun for a month before marrying a scallop in a puddle of leek chlorophyll. Funny how boiled date pits taste a lot like Pedro Ximénes sherry when poured over pillows of hand-smoked foie gras. It's like eating in a post-fallout Garden of Eden. These are the elegant meditations of an ingenious hermit, a refugee from modernity.

Beauty is always ephemeral, but food is the most fleeting art of all, and the most intimately mortal. You can't just buy a postcard or go to a museum. Right now, incredible meals are being cooked all over the world. They will all disappear by tomorrow, yet the lingering flavors of a truly memorable meal become part of us like no other cultural monument can.

That tower in Pisa has been tilting for almost 800 years, but it looks good to last a little longer. That masterpiece on a plate will not. Go on, eat it while it's hot.

TOP Go To Top

<< previous :: 1 :: 2 :: next >>
FROM THE JULY 4/11, 2005 DOUBLE ISSUE OF TIME EUROPE MAGAZINE; POSTED SUNDAY, JUNE 26, 2005.
To Our Readers
Britain
Norway
Iceland
Italy
Spain
Turkey
France
Germany
Czech Republic
Switzerland
Russia
Cuisine
Past Journeys
Europe Then & Now [August 18-25, 2003]
Summer of Culture [May 20, 2002]
The Quest For Quality [August 20/27, 2001]