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MARK AMERIKA
At first Amerika was worried that if he gave up control of his narrative's flow, "I would give up my identity as an author." Instead, he says, "I found it liberating to liberate the readers. Internet fiction is readers' lib!"
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The Author Got Hyper About It
By Richard Lacayo
Forget what Virginia Woolf said about what a writer needs — a room of one's own. The writer she had in mind wasn't at work on a novel in cyberspace, one with multiple hypertexts, animated graphics and downloads of trancey, chiming music. For that you also need graphic interfaces, RealPlayer and maybe even a computer laboratory at Brown University. That was where Mark Amerika — his legally adopted name; don't ask him about his birth name — composed much of his novel Grammatron. But Grammatron isn't just a story. It's an online narrative (grammatron.com) that uses the capabilities of cyberspace to tie the conventional story line into complicated knots. In the four years it took to produce — it was completed in 1997 — each new advance in computer software became another potential story device. "I became sort of dependent on the industry," jokes Amerika, who is also the author of two novels printed on paper. "That's unusual for a writer, because if you just write on paper the 'technology' is pretty stable."
Nothing about Grammatron is stable. At its center, if there is one, is Abe Golam, the inventor of Nanoscript, a quasi-mystical computer code that some unmystical corporations are itching to acquire. For much of the story, Abe wanders through Prague-23, a virtual "city" in cyberspace where visitors indulge in fantasy encounters and virtual sex, which can get fairly graphic. The reader wanders too, because most of Grammatron's 1,000-plus text screens contain several passages in hypertext. To reach the next screen, just double-click. But each of those
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