EUROPE
OCTOBER 19, 1998 VOL. 152 NO. 16
Shadows on the Wall
Legal battles forced scientists to wait three years
before studying the Paleolithic art of Chauvet Cave
By PHIL COUVRETTE/PARIS
On Dec. 18 1994, three amateur spelunkers stumbled across a cave
near Vallon-Pont-d'Arc in southeastern France containing
hundreds of paintings, some dating back 30,000 years--the oldest
ever found. The discovery ranks as one of the most significant
from the Paleolithic era in Europe, but for the
spelunkers--Jean-Marie Chauvet, Christian Hillaire and Eliette
Brunel--the find has produced little but trouble and
uncertainty. From the moment on Dec. 28, 1994 when they reported
to the Ministry of Culture on their "Christmas present to
humanity," as some romantically put it, the cave has provided
more work for lawyers than for archeologists. Numerous legal
actions and court cases prevented scientific study for three
years.
At the center of the storm stands Chauvet, whose name the cave
now bears. A part-time park ranger for the Ministry of Culture,
he was off duty when he found the cave. Having it named after
him was the last good thing that happened to Chauvet. One month
after the discovery, the Ministry of Culture issued him a
warrant for a "temporary prospecting mission," backdated to four
days before the find. It was a "standard procedure so he could
claim expenses" according to the government--but it was not
initiated by Chauvet, as regulations would require. Instead, the
warrant came at the behest of Jean-Pierre Daugas, head of
regional archeology, and was signed by Patrice Beghain, head of
Rhone-Alpes cultural affairs. Chauvet claims the high-ranking
officials wanted to assert discovery rights for the government.
The document described Chauvet as a "government employee
assisted by two volunteers," and deprived all three of rights to
the photographs taken shortly after the cave's discovery, some
of which were published in the Feb. 13, 1995 edition of TIME. A
few months after the warrant was issued, Chauvet was obliged to
surrender the film to an agency representing the ministry.
Seeing the ministry reap the rewards of their find, Chauvet and
his two co-discoverers issued the ministry a formal letter to
keep it from exploiting pictures taken in the cave. In June
1995, a Paris court called a moratorium, barring the government
from selling or distributing pictures of the cave. The following
year, the discoverers initiated legal proceedings against the
ministry for producing a fake document. "Financial benefits
aren't the issue," said one of the discoverers to the daily Le
Figaro at the time. However, the three say that the revenue
generated from their book on the discovery, La Grotte Chauvet,
has barely covered their legal costs.
The situation for Chauvet and his fellow spelunkers took a
different turn in July, when three high-ranking ministry
officials were summoned to appear in court at the end of
November, two on charges of producing a fake document--the
backdated warrant--and a third for complicity. "I hope the trial
will mark the beginning of our being reinstated," says Chauvet.