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THE ARTS/CINEMA
OCTOBER 19, 1998 VOL. 152 NO. 15

PAGE  1  |  2  |  3  |  4
In public, Jackie just smiles. His still-boyish energy and relentless charm are a tonic in this glum, sordid age. He is unfailingly gracious to the press, fans and colleagues. Bob Shaye of New Line cites a dinner party Chan threw at a Los Angeles restaurant after the opening of Rush Hour. "He invited 40 people--agents, friends of his, company executives--for a Chinese banquet. He helped serve the food, and got up to talk to people like a real host. He's a terrific guy--a Chinese mensch."

He is considering other Hollywood projects, with titles like Strike Out, Escape, West West. "All action," he says. "New for American audiences. For me, I'm a bit bored already." Just like his stardom. After all, he has been Jackie Chan, superstar, for two decades; and smacking his head against the Hollywood wall all those years hardened him against emotional vertigo when he finally hit the heights there. So instead of moving to L.A., as Samo and Michelle and Chow Yun-fat have done, Chan wants to make his next film in Hong Kong. And describing this, he feels the excitement of the artist-salesman: "A love story. First Jackie Chan movie love story! Everyone in Asia will say, 'Yes! We are going to see it!'"

Nice career move, Jackie. And who will be his co-star? Maybe Lin Feng-jiao? At least, then, Mrs. Jackie Chan could get to spend some time with her husband.

There we go, trying to slap a Hollywood ending onto a very Asian marital arrangement. What Chan and his wife do is their business. But what Jackie has, at this moment in a spectacular career, is exactly what he wants: a happy middle. An American hit. The faithful adoration of his Asian fans. And his own renewed enthusiasm to keep fighting, loving, filming.

--REPORTED BY ISABELLA NG AND STEPHEN SHORT/HONG KONG AND JEFFREY RESSNER/LOS ANGELES

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