THE ARTS/CINEMA
OCTOBER 19, 1998 VOL. 152 NO. 15
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In public, Jackie just smiles. His still-boyish energy and
relentless charm are a tonic in this glum, sordid age. He is
unfailingly gracious to the press, fans and colleagues. Bob
Shaye of New Line cites a dinner party Chan threw at a Los
Angeles restaurant after the opening of Rush Hour. "He invited
40 people--agents, friends of his, company executives--for a
Chinese banquet. He helped serve the food, and got up to talk to
people like a real host. He's a terrific guy--a Chinese mensch."
He is considering other Hollywood projects, with titles like
Strike Out, Escape, West West. "All action," he says. "New for
American audiences. For me, I'm a bit bored already." Just like
his stardom. After all, he has been Jackie Chan, superstar, for
two decades; and smacking his head against the Hollywood wall
all those years hardened him against emotional vertigo when he
finally hit the heights there. So instead of moving to L.A., as
Samo and Michelle and Chow Yun-fat have done, Chan wants to make
his next film in Hong Kong. And describing this, he feels the
excitement of the artist-salesman: "A love story. First Jackie
Chan movie love story! Everyone in Asia will say, 'Yes! We are
going to see it!'"
Nice career move, Jackie. And who will be his co-star? Maybe Lin
Feng-jiao? At least, then, Mrs. Jackie Chan could get to spend
some time with her husband.
There we go, trying to slap a Hollywood ending onto a very Asian
marital arrangement. What Chan and his wife do is their
business. But what Jackie has, at this moment in a spectacular
career, is exactly what he wants: a happy middle. An American
hit. The faithful adoration of his Asian fans. And his own
renewed enthusiasm to keep fighting, loving, filming.
--REPORTED BY ISABELLA NG AND STEPHEN SHORT/HONG KONG AND
JEFFREY RESSNER/LOS ANGELES