The Matrix Reloads

When we last visited the Matrix, computers had taken over the planet and imprisoned the human race in a computer-generated "reality." Keanu Reeves played Neo, a hacker turned superhero recruited to save his fellow man, and the movie ended with him literally taking flight. It was a cliff-hanger that might as well have been subtitled "Watch for the sequel, coming soon to a theater near you--that is, if this thing makes any money."

And it did--$459 million worldwide. More than a sleeper blockbuster, it was a blazingly original collage of martial arts, Oscar-winning special effects and high-toned philosophy borrowed from sources as diverse as Plato, the Bible and Snow White. Since Larry and Andy Wachowski, the fraternal directing duo, had always envisioned The Matrix as part one of a trilogy, Warner Bros. quickly put not one but two more Matrix films into production. "The first movie was like The Hobbit for The Lord of the Rings," says producer Joel Silver. "It's the setup to the big story."

The Wachowski brothers are currently in residence at the Fox studios in Sydney, Australia, simultaneously shooting Matrix Reloaded (part two) and Matrix Revolutions (part three). The movies won't come out until 2003 (Reloaded in May, Revolutions in either August or November), but the hype has already begun. This month a trailer for Reloaded hits theaters, and not since the Star Wars movies has a film inspired so much breathless anticipation on the Internet.

Details about the further adventures of Neo have been closely guarded, but we found some clues on the set in Sydney, where the cast and crew have been working since September and are expected to wrap this summer. On a remote corner of a sound stage stand dozens of latex, life-size replicas of the dastardly Agent Smith (Hugo Weaving), all in single file. Why so many Smiths? Since the original film, Smith has learned to replicate himself (he's a computer virus), which means Neo will have to fight several Smiths at once.

Across the stage, in front of the cameras and under the lights, we find Reeves in his familiar uniform (long black coat, dark shades) at the bottom of a crater being drenched by a rainstorm manufactured by overhead sprinklers. Later, drying off in his trailer, Reeves won't elaborate on that particular shot (it takes place in a climactic battle scene in part three), but he does give the following overview of the trilogy: "The first one is about birth," says Reeves. "The second one is life; the third is death." Thanks, Keanu.