The Trouble With Sundance

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What's saddest is that the ersatz indie drove out the previously dominant alternative to Hollywood: the foreign film. Fellini and Truffaut are dead, but there are still exciting, challenging movies being made in Europe, Latin America and especially Asia. Some of these films get theatrical release, but to see many top films from Japan, South Korea, China, Thailand and India you need to rent them. A good video store or a specialty DVD catalog is the new art house. Trying to get your intellectual fill with Sundance films is like choosing homemade popcorn over the concession-stand variety: higher quality, little nourishment.

Sure, there are good Sundance movies, with fine actors providing glimpses of behavioral truth. But in general the films are way too cozy. Instead of the high-budget sequels Hollywood deals out, the indie scene offers virtual remakes of earlier, more vibrant films, the rehashing of familiar feelings. Sundance used to be a daring, occasionally dazzling alternative to Hollywood; now, it's just a different sort of same.

The original version of this story mistakenly reported that director Ingmar Bergman is dead. At age 89, Bergman is living in Sweden.