What Women Have Done to Art

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The energies of that moment subsided, but they never died out. If it hadn't been for all that weaving and sewing, for instance, the embroidered work of Egyptian artist Ghada Amer would be hard to imagine--to say nothing of Mike Kelley's stuffed-animal art. That's the point of the other big, smart new show "Global Feminisms" at the Brooklyn Museum. Organized by Maura Reilly and art historian Linda Nochlin, it concentrates on art made since 1990 and demonstrates that the concerns of the '70s have spread around the world. Jenny Saville's big nudes, for instance, with their masses of battered flesh, are descended from the questions women asked then about the abuse of women's bodies. There's even a residue of feminist thinking in Study of a Boy 1, a haunting photograph by the German artist Loretta Lux, in which a woman's gaze inspects, or "studies," a wary little man in the making. Feminism lives--and in mysterious ways.

As an inspirational and pedagogical device, The Dinner Party has a long life ahead of it too. For generations of schoolkids it will offer a first encounter with the honor roll of women's history. Who can argue with that? With luck, some of those kids will go on to discover O'Keeffe, Agnes Martin and Sally Mann. Or Kara Walker, Janet Cardiff and Kiki Smith. There are some names in there you don't know? Look them up on the Internet. You can bet a few smart kids will. That's how they'll find out how much more art can do.