An Artful Passing
But what the British art community wants to know is: How loyal was he? Edwards, a barely literate bartender from London's East End, was a longtime companion and muse of Francis Bacon, one of the greatest British artists of the 20th century. When Bacon died in 1992, he bequeathed his celebrated works and $18.05 million estate to Edwards, the subject of more than 30 of the artist's portraits. Stuffy collectors and museum curators were incensed that a common Cockney cocktail-slinger had made off with the crown jewels of modern British art.
With Edwards gone, the media, seeking the next heirs to the Bacon fortune, has descended on Pattaya, where he moved in the mid-1990s. The top candidates: Edwards' 22-year-old gay Thai lover and Philip Mordue, Edwards' roommate after Bacon's death. Mordue could not be reached at his penthouse in Pattaya. But last week, Edwards' boyfriend, who asked to be identified as "Jack," was drinking coffee in a Pattaya bar and pondering his strange fortune. Just 16 when he first met Edwards, Jack says his benefactor left him something (he won't say what) and a last request: don't blow the inheritance by opening a gay bar.
But what of the rest of Bacon's riches, which the British tabloids claim were squandered on a profligate life of drink and young boys? Edwards' London lawyers say his will is to remain a secret indefinitely. His Pattaya friends insist that Edwards protected Bacon's legacy.
The artist's paintings and portraits, noteworthy for their distortions bordering on the macabre, will likely remain under the control of the John Edwards Charitable Foundation, a trust he established several years ago. Meanwhile, Jack is planning to travel and perhaps complete his education. "[Edwards] gave me a future," he says. What are friends for?
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