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Jack of Hearts
Her
Yes, it will. And here's something else to talk about: Nicholson's new movie, Something's Gotta Give, is a chick flick about as unapologetic as they come. Can Jack, the unrepentant seducer, the legendary monster of appetites, the roguish charmer, turn himself into the king of hearts? Or put another way, would you buy from this man an unblushing, sentimental, picnics-on-the-beach romantic comedy about the joys of committed love?
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He still looks good at 66, though his face is fleshier and squarer and seems on pace to merge completely with his neck sometime around 2008. But it's still a face made for actingall punctuation marks, from those pointy circumflex eyebrows to the profound parentheses on either side of his mouth. Lounging in his favorite suite at a New York City hotel, Nicholson sits in an armchair and drinks coffee and smokes Camel Lights. After a weekend of interviews, his lilting, comforting-yet-unnerving voice is shot to the point that it's just a husky growl, but Nicholson is a talker, and when he wants to talk, by God, he's going to talk.
Nicholson has made a point of defying expectations lately his physical transformation into a stoop-shouldered loser retiree in last year's About Schmidt earned him his 12th Oscar nomination, and a goofball turn opposite Adam Sandler in Anger Management showed that he can mix it up with the most sophomoric. But Something's Gotta Give, which opens on Dec. 12, reads like an attempt to completely dismantle his public persona: he spends the first half of the movie playing directly to type and the second half dead set against it. Nicholson plays Harry Sanborn, 63, a rich, unmarried and devilishly charming Manhattan businessman who dates only women under 30. One weekend Harry scampers off with his girlfriend played by the lively Amanda Peet (in reality, an over-the-hill 31) to her mother's beach house, only to keel over with a heart attack as soon as the fun starts. His girlfriend promptly scampers back to the city, leaving him in the care of her divorced mom Erica (Diane Keaton), a tough-minded, successful playwright with no patience whatsoever for Harry and his boyish high jinks. But as the two are forced into each other's company, Harry sheds his lifelong bias against older women and Erica her carefully constructed emotional barriers. It's a December-December romance.
Director Nancy Meyers wrote the film with Nicholson in mind. "I haven't really seen him fall in love onscreen," says Meyers. "It was that part I wanted to see. I wanted to see Jack Nicholson fall in love with a middle-aged woman." At first blush, it feels like a piece of grotesque miscasting. After all, this is a man whose last serious girlfriend was Lara Flynn Boyle, a woman 33 years his junior. This is a man who has four children by three actresses, none of whom he is currently married to, and whose house sits on a hill near Marlon Brando's and Warren Beatty's. "I kind of squirm under sentiment," Nicholson admits, and he squirms visibly as he says it. "I've always been kind of a wisecracker and a deflector."
Granted, yes, it's totally unfair to saddle the character with the sins of an actor. It's something Nicholson has been dealing with his whole life in part, as he's not slow to point out, because of the way his disarming ease onscreen fools audiences into thinking he's not acting at all. "It's a double-edged sword," he says. "They always say it's just like me. Always. And that's the best compliment. It's the most subtle compliment. When an audience says, 'Oooh, that's Jack, that's what he's really like,' you don't really want to hear it, but you've succeeded." Keaton who has known Nicholson for more than 20 years, since they worked together in Reds is more vehement in his defense. "Philosophically it's very different from many of the movies that he's been in," she says, "by nature of the fact that he's dating a woman who is his contemporary, which he may not do in his life, but who cares about his life? And I hope he has a great one, and if he dates a 25-year-old, it's not my business."
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