These are the plays which, in the light of metropolitan criticism, seem most important:
YOUNG WOODLEYGlenn Hunter in a skillfully sincere study of what happens to an English public school boy when he falls in love.
THE GREEN HATMr. Arlen's fervent investigations into the past and present of a promiscuous lady, who was a pretty good sort even so. With Katharine Cornell.
A MAN'S MANLife under the Manhattan Elevated is a strange and touching business.
THE MERCHANT OF VENICE Walter Hampden and Ethel Barrymore in an exceptionally satisfactory sample of Shakespearean production.