These are the plays which, in the light of metropolitan criticism, seem most important.
SERIOUS
LULU BELLE—Lenore Ulric in a story of a bad little colored wench. Sometimes shocking, often shoddy, always interesting. CRAIG'S WIFE—In which a husband very sensibly decides that if he cannot smoke in the parlor he will find a home elsewhere. THE GREAT GOD BROWN—Eugene O'Neill's agonized fancy about the purchase and sale of a man's soul.
LESS SERIOUS
WHAT EVERY WOMAN KNOWS— Helen Hayes proffering a most engaging interpretation of Barrie's Maggie Shand. AT MRS. BEAM'S—Strange...