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"You don't have to read it all, but it's nice to know it's all there," goes a radio ad for the New York Times. Not necessarily—at least not for Margaret Fishback, a Manhattan ad copywriter and author of light verse (TIME, June 28). Contemplating her 7-lb., 16-section, 739-page edition of the Sunday Times, Miss Fishback finally sat down and dashed off a few heartfelt lines of protest to the editor, which the Times dutifully printed two Sundays later, right next to the 200-page magazine section's table of contents.

I'd pay a little extra for

A whole lot less, instead of more

And more and more and more to read.

For more is what I do not need.

Old issues of The Times abound. They're everywhere. They're all

around.

Each bed and table bears its heap. I ask you, where am I to sleep?

My home's abulge, and getting

fatter

Because of so much reading matter. The New York Times should pay my rent And furnish me a heated tent.

In 1930, a young wag wrote: "Candy/ Is dandy/ But liquor/ Is quicker." Now comes an addendum by Verseman Ogden Nash, 66, for the new generation: "Pot is not."

Two summers ago, Nancy Janice Moore, South Carolina's entry in the 1965 Miss America contest, spent four weeks in Washington as an intern in the office of her state's Senator Strom Thurmond. Last week, her parents announced her engagement to Thurmond.

"We aren't sure when we will have the wedding," said Nancy, 22 and an English and political science graduate of the University of South Carolina. Said her 66-year-old fiance: "She's very smart. A straight-A student."

Though he made his reputation as a platform personality. Elvis Presley hasn't appeared before a live audience in nearly a decade. Instead, he's been cutting records and cranking out as many as three movies a year at an average of $1,000,000 each. Now the arithmetic has changed, and Elvis will be turning them on live in the future. "It's more profitable than movies," says a spokesman, explaining that $100,000 per concert is not out of line for a man of Elvis' talents these days. Thus a concert a week for ten weeks equals $1,000,-000—compared to the 15 work-filled weeks it takes to make a movie for the same price.


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