Magazine content is available exclusively for TIME subscribers.Art: The Road to Xanadu
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Though the Pavilion was devoted to showing modern science, it looked as if it could have been the setting from a poem by Coleridge. From any angle it cast a spell. It had reflecting pools, stage-set lighting, delicate bridges, six buildings decorated with Gothic tracery. Inside, it subtly lured visitors along, stopped them just where the designer intended that they should pause and look. Probably no building put up in 1962 caused such a world of comment or brought into action so many cameras. Professional critics found dreadful flaws, but to almost...
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