Music: Anniversary

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Personally, Irene Lewisohn is best defined by the unique work she has done and the terms in which she describes it. In appearance she is dark, slight. Her great range of acquaintances numbers Anna Pavlowa, Ramsay MacDonald, Sir Rabindranath Tagore. But few know her well. For most she is the embodiment of her dramatic ideas, a woman of mystery inevitably laden with primitive and Oriental jewelry. She does not at all resemble her famed uncle, Adolf Lewisohn* (copper), a lavish patron of music. At 80, he studies singing and dancing, knows some 200 German lieder which he talks rather than sings, desires, for his entourage, gaiety.

*Among the Lewisohn productions: Richard Strauss's Ein Heldenleben, Bloch's Israel, Debussy's Nuages and Fêtes, Borodin's Prince Igor.

*Adolph Lewisohn is interested in other philanthropies than music. Last week in a letter the New York Times he advocated the idea building bungalows for trusted prisoners that they might work out of doors, earn money to repay those they wronged and contribute something to the upkeep of their families.

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