VOTER ANXIETY: A CHRONIC CONDITION

"What is wrong with us?

"It is in the air we breathe. The things we do. The things we say. Our books. Our papers. Our theater. Our movies. Our radio and television. The way we behave. The interests we have. The values we fix.

"We are, on the average, rich beyond the dreams of kings of old. Yet something is not there that should be--something we once had."

These anxious words instantly struck a chord. Forty-one American newspapers and magazines reprinted them. Letters and phone calls flooded the office of Cleveland Press editor Louis Seltzer to tell him he had put his finger on our gravest crisis with his editorial--in the summer of 1952.

Really? Dismay over movies and TV at a time when "virgin" couldn't be uttered in a film and Lucy and Ricky couldn't say "pregnant" to describe her condition? Concern over values and behavior when the out-of-wedlock birthrate was 2%, when the first faint chords of rock 'n' roll were yet to be heard in mainstream America?

In fact, what was ailing us was a good deal more concrete than Seltzer suggested. The U.S. was in the midst of a postwar upheaval tearing tens of millions of us loose from the moorings of generations. From the agrarian South to the industrial North, from Frostbelt to Sunbelt, from the city street to the suburban cul-de-sac, a boundless prosperity was luring us to new places far from family and the old neighborhood.

And yet the heady promise of peace had already been submerged by the cold war: the specter of Soviet subversion, real and imagined, at home; the threat of nuclear holocaust ominous enough to send schoolchildren diving under their desks at a teacher's practice command. (I remember studying an aerial photo of New York City, on which concentric circles described the effects of an H-bomb blast over the Empire State Building, and feeling a sense of doom that I lived four blocks inside the zone of vaporization.)

Those anxieties may seem quaint to us now, but they were real enough then to trigger a deep sense of discontent and unease. That kind of transcendental disquiet has surfaced over and over again in our political campaigns. Its persistence is less about introspection than about a uniquely American strain of denial.

From where we are now, 1960 looks just as Edenic as 1952 had: a time when a candidate could have run on pure optimism. We were smack in the middle of a full-tilt boom, with steady growth, full employment, no inflation, balanced federal budgets as a matter of course, a constantly rising standard of living, low crime rates, stable families. Yet over our heads, Sputnik was circling the earth, an implacable Soviet Union seemed to be on the offensive, and the worry was powerful enough to encourage John Kennedy to run for President warning of America's shrinking prestige in the world. Later, presidential chronicler Theodore White would write that "1960 was a year of national concern--but vague, shapeless, unsettling, undefinable national concern."

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SUSAN BOYLE, the Britain's Got Talent star whose debut album, I Dreamed a Dream, has sold more than 410,000 copies since its Nov. 23 release, the strongest first-week sales for a debut album in U.K. history

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