MUHAMMAD ALI: The Greatest

• Share

(2 of 2)

Ali was asked on a television show what he would have done with his life, given a choice. After an awkward pause--a rare thing, indeed--he admitted he couldn't think of anything other than boxing. That is all he had ever wanted or wished for. He couldn't imagine anything else. He defended boxing as a sport: "You don't have to be hit in boxing. People don't understand that."

He was wrong. Joe Frazier, speaking of their fight, said he had hit Ali with punches that would have brought down a building. Coaxed into fights by his managers long after he should have retired, and perhaps because he loved the sport too much to leave it, Ali ended up being punished by the likes of Leon Spinks and Larry Holmes, who took little pleasure in what they were doing.

Oscar Wilde once suggested that you kill the thing you love. In Ali's case, it was the reverse: what he loved, in a sense, killed him. The man who was the most loquacious of athletes ("I am the onliest of boxing's poet laureates") now says almost nothing: he moves slowly through the crowds and signs autographs. He has probably signed more autographs than any other athlete ever, living or dead. It is his principal activity at home, working at his desk. He was once denied an autograph by his idol, Sugar Ray Robinson ("Hello, kid, how ya doin'? I ain't got time"), and vowed he would never turn anyone down. The volume of mail is enormous.

The ceremonial leave-taking of great athletes can impart indelible memories, even if one remembers them from the scratchy newsreels of time--Babe Ruth with the doffed cap at home plate, Lou Gehrig's voice echoing in the vast hollows of Yankee Stadium. Muhammad Ali's was not exactly a leave-taking, but it may have seemed so to the estimated 3 billion or so television viewers who saw him open the Atlanta Olympics in 1996. Outfitted in a white gym suit that eerily made him seem to glisten against a dark night sky, he approached the unlit saucer with his flaming torch, his free arm trembling visibly from the effects of Parkinson's.

It was a kind of epiphany that those who watched realized how much they missed him and how much he had contributed to the world of sport. Students of boxing will pore over the trio of Ali-Frazier fights, which rank among the greatest in fistic history, as one might read three acts of a great drama. They would remember the shenanigans, the Ali Shuffle, the Rope-a-Dope, the fact that Ali had brought beauty and grace to the most uncompromising of sports. And they would marvel that through the wonderful excesses of skill and character, he had become the most famous athlete, indeed, the best-known personage in the world.

George Plimpton is the editor of the Paris Review and the author of Truman Capote