A MAC FOR ALL SEASONS
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It's not so hard to figure out why we look to the athletic arena
for heroes. No ancient Greek dramaturge would turn his back on
material like this: one man tested in crisis; the victor emergent
from the sweat and roil of combat; gifted with superhuman size
and godlike strength; and, perhaps most important, confronted
with the brutal and inescapable vulnerability that all great
athletes must face--the daily threat that an inferior force might
vanquish them. Athletic heroism attains the heights of glory
through its very proximity to defeat. And it dramatizes the worth
of workaday values we want our kids and our neighbors' kids to
absorb: diligent attention to practice and homework,
concentration, persistence, equanimity, teamwork.
In no sport is this more visible than it is in baseball. The
other team sports, so dependent on the careful knitting of
disparate talents for every act, never isolate the hero quite
the way baseball does--especially when it places him alone in
the batter's box and challenges him to perform the most
difficult feat in all of sports. Even off the field, the
baseball star has always seemed to have a more sharply defined
persona than other athletes do. Decades pass, and still we feel
we know them. Babe Ruth, the profane if lovable libertine;
Mickey Mantle, the gifted man-child; Roger Maris, the decent
citizen victimized and nearly rendered mute by the crippling
weight of publicity. But of all the baseball titans, Mark
McGwire in some ways most resembles Joe DiMaggio, coincidentally
stricken by life-threatening illness just as McGwire was setting
the home-run record. Admired by their teammates, considerate of
their foes, blessed with a spare, natural grace, both men
represent the merging of two traits not always found in close
athletic proximity: talent and dignity.
Unlike the almost unknowably silent DiMaggio, however, McGwire
was an accessible and affable presence from the very beginning of
his remarkable career. It was in June 1987 that the Los Angeles
Times first put the words McGwire, Ruth and Maris in one
headline. McGwire's major league life wasn't yet 60 games old.
Soon he rushed past the rookie home-run record, and crowds of
reporters buzzed around him like so many mosquitoes on a July
night in St. Louis. Still, his mien was so benign that one of his
nicknames was McGee-Whiz. In September of that year--he hadn't yet
turned 24--he looked to become only the 11th man in baseball
history to hit 50 home runs in a season. Going into the last day,
he had 49. He also had a very pregnant wife ready to enter a
California hospital. McGwire skipped the last game. "You always
have another chance to hit 50," he said, and some might have
taken that for either arrogance or stupidity had he not completed
the thought with, "but you'll never have a chance to have your
first child again."
McGwire would wait nine long years for his 50-home-run season.
Divorce, injuries, eye trouble, crises of confidence and of
desire conspired against him. For the eyes, he changed contact
lenses as often as some people change socks. For the crises, he
sought the help of a psychiatrist, which was rare enough for a
professional athlete; rarer still, he spoke about it in public.
In time he regained his confidence, his health and his
unprecedented ability to hit home runs. When he finally had a
50-knock season, in 1996, he apparently decided to make it a
habit. He repeated the feat in 1997, and now, in 1998, he has
shredded it, performing prodigies unheard of in sport or in most
other areas of human endeavor. Thirty-seven years ago, Maris
surpassed Ruth's record by 1.6%; McGwire catapulted the same
record forward by a nearly unfathomable 14.75%. Here is what a
14.75% improvement over some other well-known marks would yield:
Someone would drive in 218 runs. The mile record would be
3:11.29. Even so hyperthyroid a measure as the Dow Jones
industrial average would leap ahead to the vicinity of 10,100. In
a sport whose progress is characteristically Darwinian in both
style and speed, McGwire not only collapsed the decades, he
invented a new algebra.
The girth of Mark McGwire's forearm is greater than that of a
large man's neck; his biceps look as if they've been inflated
with a bicycle pump. Your hand could conceivably disappear in
his; if he chose, it could certainly be crushed. Yet something
other than his pure physicality strikes you about McGwire.
Revealed in his deep green eyes is a self-knowledge as imposing
as his size and strength: I am who I am, what you see is what you
get, and if I'm going to hit 70 home runs, well, that's what I
was meant to do. He actually calls it "karma," which is not a
usual baseball-player word, and his acceptance of it relaxes him.
And focuses him.
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PHOTOGRAPH FOR TIME BY MARK SELIGER