Jive Talking
The label with a lock on the mass market
Radio Active
Tune in to the planet via the Internet
Web Music
Free music lives! Say hello to Morpheus
The Scariest Label
From West Virginia, the sound of hate
Postcard From NYC
Beastie Boys' Mike D. on his hometown music scene
Review: "This Is It"
Ben Nugent reviews The Strokes' latest album
Introduction
From Kingston to Cape Town, musicians are rocking old traditions
Radio Active Top 40 rules the airwaves, but there's an Internet station
for every earthly genre of music. Log on, and listen to the
planet BY BENJAMIN NUGENT
The radio is in the hands of such a lot of fools trying to
anaesthetize the way that you feel.
Elvis Costello, Radio Radio
At some point or another, everyone thinks about taking a baseball
bat to the radio. There's nothing on the air, goes the
traditional gripe, aside from the latest flavor of mainstream
pop, hard rock and hip-hop. It's a sterile teenage wasteland
spanning the dial, disrupted only by the odd college station and
NPR.
For the answer to that plaint, put down the bat and turn to the
computer. Internet radio offers continuous treams of music, and
other kinds of sound, to any consumer who can log on and download
audio files. The software that makes this possible comes in the
form of programs like RealPlayer that are available for free
online. Users can listen to streams, called stations, created by
others, or they can create their own streams. And the streams can
run while the computer does other things.
Internet radio is a godsend for listeners whose tastes run too
eccentric for the MTV Total Request Live navel-exposure set.
Whether you hum merengue music in the shower or brush your teeth
in rhythm to German techno, there's an online channel that offers
what you want. Finding a station that matches your interests at a
site like Sonicnet.com is like finding a date in the personal
ads. All you have to do is scan the list of descriptions, and
eventually you'll find the one that's approximately right for
you. Globetrotter? To start, there's "African Experience" and
"Brazilia." Headbanger? Try "The Pit" (metal) or "Axis" (adult
alternative). With sites like Live365.com that provide average
Joes with the bandwidth to open up their record collection to
thousands of listeners a day, and sites like indiePOPradio.com
that link users to stations geared toward particular interests,
the Web holds out the promise of delivering radio from the hands
of "such a lot of fools" (or profit-oriented entrepreneurs) into
the grasp of the People.
What's even more democratic is that many of these stations are
run by amateurs who have nothing better to do with their time
than share their musical wisdom with the world. Even if you've
never wielded a microphone, you can set up your own Live365.com
channel. You can select the option to apply for a station on the
site, free, and upload MP3s containing as many songs as you want.
You can replace old MP3s with new ones to keep the flow of music
fresh, or allow the same selections to repeat ad infinitum. Laws
designed to ensure that Web radio can't function as a Napsterish
file-sharing system forbid you to broadcast chunks of an album or
a lot of tracks from one artist within a short period of time.
However, just about any other narrower format is fair game.
Computer technician and percussionist Amilcar Carvalho, of
Brockton, Mass., who runs a Live365 station featuring the music
of his native Cape Verde, uploads "over 100 songs a couple times
a week" for pleasure. "I am a musician, and I love people to hear
the music," he says.
While the Internet is good to hobbyists like Carvalho, commercial
Web radio has fallen upon draconian times. sorry you missed us!
reads the Web page where the Net radio source iCAST once stood.
Like Imagine Radio (subsumed by Sonicnet, which was bought by
MTV's interactive division) and Launch.com (being acquired by
Yahoo!), it's one of the many Internet radio sources that have
gone out of business or been taken over by large corporations in
the past several months.
"It's very expensive to do right now," says Jed Grodin, who is
in charge of music programming at Hypnotic, the online
entertainment company, owned largely by Vivendi Universal, which
recently subsumed the Web radio site Nibblebox. "The cost for
one person to listen to one minute of music is so high.
Streaming providers charge by the megabyte, so every person you
add costs money." That means the more listeners a Web radio
station attracts, the higher its costs, whereas old-fashioned,
"terrestrial" stations have relatively fixed costs for a
license, staff and facilities, and tend to get more profitable
as they acquire listeners.
Some argue that Web radio listeners, once they find a station to
their taste, are thenceforth deprived of the joy of musical
discovery. "On Internet radio they really try to lock in to a
specific interest," says Brian Turner, a program and music
director at Jersey City's fiercely independent-minded radio
station wfmu. "I think some of the best discoveries you make
happen when you're led down an alley by accident."
That's where the Internet broadcasts of terrestrial stations
come in. Alaskans can tune in to the online wfmu as easily as
New Jerseyans and thereby subject themselves to a cabal of DJs
whose interests include Somalian folk, Italian film scores and
klezmer. For that matter, a metal fan from Beijing can log on to
BBC.com and come across a Manchester drum-'n'-bass turntablist
featured on the home page.
For all these compelling reasons to listen to Internet radio, is
any Web radio site a sturdy financial model? For now, the demise
of iCAST.com and so many of its Web-only brothers appears to
indicate that the durable stations are the ones connected to a
terrestrial channel or some bricks-and-mortar business.
Knittingfactory.com, for example, broadcasts live music from
shows at Knitting Factory clubs, and Rolling Stone Radio is part
of the venerable rock mag's Web presence.
But Web radio's audience is expanding rapidly. "Two years ago, 6%
of Americans had ever listened to Internet radio," says Bill
Rose, general manager and vice president of Arbitron Webcast
Services, a company that rates the popularity of Web radio
stations. "Now it's 20%." Those numbers suggest that Web radio is
on its way to capturing the imagination of the segment of the
world with leisure time and connection speed to enjoy it. Perhaps
one day we'll hear songs by the Elvis Costellos of the future
about Web radio's glorious triumph over the bad, old radioif
only, somewhere in the mile-long buffet of channels, we can
manage to find them.
How to Tune In
1. Go to a website with Internet radio stations (see examples, like
live365.com, in this article).
2. Select the "radio" option. You may need to follow instructions
that explain how to download a sound program (e.g., RealPlayer)
appropriate for your PC, or become a member of the site.
3. Browse the lists of stations until you find your sound.