Jive Talking
The label with a lock on the mass market
Radio Active
Tune in to the planet via the Internet
Web Music
Free music lives! Say hello to Morpheus
The Scariest Label
From West Virginia, the sound of hate
Postcard From NYC
Beastie Boys' Mike D. on his hometown music scene
Review: "This Is It"
Ben Nugent reviews The Strokes' latest album
Introduction
From Kingston to Cape Town, musicians are rocking old traditions
The good people of New York, as the world has observed this month, know how to
cinch the flow of their sarcasm and become sweet and serious when occasion
demands. See Holden Caufield, Dave Letterman, and innumerable hard knocks played
by Humphrey Bogart. "Is This It" (RCA, Oct. 9), the debut of the Strokes, a rock
band composed of five young Manhattanites, is a gorgeous demonstration of that
distinctive ability to flit at will from aloofness to tenderness.
In 11 mostly short, mostly fast rock songs about love and ennui, the Strokes
Julian Casablancas 23, on vocals, Nick Valensi, 20, and Albert Hammond, Jr.,
21, on guitar, Nikolai Fraiture, 22, on bass and Fabrisio Moretti, 21, on drums
talk tough though the first verse and end up misty-eyed by the last chorus, in
the process delivering some of the finer tunes this side of the 20th century.
It's a formula that works on at least 10 of the songs; nobody has heard "When it
Started," a track the band banged out in the studio the weekend of September 16
to replace "New York City Cops," a mildly insulting rave-up they had the good
taste to remove in light of recent events.
Between its constantly shifting guitar rhythms, graceful bass lines and
hoarse but seductive vocals, this record would be stunning if its lyrics reeked,
which every once in a while they do. But the chorus on "How to Explain" is the
cry of somebody on whom the wounds of teenage disorientation are still fresh: "I
say the right thing but act the wrong way/ I like it right here but I cannot
stay/ I'm watching TV, forget what I'm told/ That I am too young and they are
too old."
It's high time we got a new band young enough to recall the details of
adolescent suffering and talented enough to capture them in nuanced song. Let's
hope all the well-deserved pats on the head these kids are getting from the rock
press (four stars from Rolling Stone) and from Europe (their album has already
debuted at #2 in the U.K.) doesn't make them too emotionally secure; they break
down in the most magnificent way.