|
||||||||||||||||||||||||||||||||
|
|
||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||
| Guy Laliberté | ||||||||||||||||||||||||||||||||
| Revolution Under the Big Top By STEVEN FRANK
How did a hippie with a résumé that listed fire breather and accordion player transform a ragtag band of Québécois buskers into a $500 million entertainment juggernaut? "Childlike naiveté," says Laliberté, the company's puckish owner, CEO and co-founder. His impact is hard to underestimate. "Every circus I see around the world has some influence in style of the Cirque du Soleil," says Ernest Albrecht, author of The New American Circus. Cirque has also sparked interest in vaudeville, acrobatics and street performance. Up next: another Vegas show, premiering in September, a new touring show for 2005 and possibly, down the road, even Cirque-themed restaurants, spas and casinos. The high-wire act continues.
|
|
|||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||
|
FROM THE APRIL 26, 2004 ISSUE OF TIME MAGAZINE; POSTED SUNDAY, APRIL 18, 2004
Copyright © 2004 Time Inc. All rights reserved. Reproduction in whole or in part without permission is prohibited. Subscribe | Customer Service | Help | Site Map | Search | Contact Us Privacy Policy | Terms of Use | Reprints & Permissions | Press Releases | Media Kit |
||||||||||||||||||||||||||||||||